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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:271813814:3008
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:271813814:3008?format=raw

LEADER: 03008cam a22003854a 4500
001 011320244-X
005 20080102163133.0
008 070605s2007 txua bc 001 0 eng
010 $a 2007023474
020 $a9780300126327 (pbk.)
020 $a0300126328 (pbk.)
020 $a9780890901533 (soft cover)
020 $a0890901538 (soft cover)
035 0 $aocn144547855
040 $aDLC$cDLC$dBAKER$dBTCTA$dYDXCP$dC#P$dMH-FA
050 00 $aNK3636.5.A2$bM39 2007
082 00 $a745.6/199927$222
100 1 $aMcWilliams, Mary.
245 10 $aTraces of the calligrapher :$bIslamic calligraphy in practice, c. 1600-1900 /$cMary McWilliams and David J. Roxburgh.
260 $aHouston :$bMuseum of Fine Arts ;$aNew Haven :$bDistributed by Yale University Press,$cc2007.
300 $axii, 96 p. :$bcol. ill. ;$c31 cm.
500 $aCatalog published to coincide with two exhibitions entitled "Traces of the calligrapher" and "The word of God : calligraphy and the Qur'an" organized by the Museum of Fine Arts, Houston and the Harvard University Art Museums and held at the Museum of Fine Arts, Houston, Oct. 27, 2007-Jan. 27, 2008.
504 $aIncludes bibliographical references (p. 89-92) and index.
505 0 $aCalligraphy in the Islamic lands -- The calligrapher's materials, methods, and tools -- The calligrapher's furniture -- The calligrapher's practice.
520 1 $a"In Islamic culture, calligraphy has long been considered a quintessential art form. The Qur'an states, "The first thing God created was the pen," and this beautiful writing practice constitutes an expression of piety. Calligraphy not only conveys the ideas of a person but also represents a hallmark of high culture." "Traces of the Calligrapher reconstructs the intimate world of the calligrapher during the early modern period of Islamic culture, bringing together the "tools of the trade"--Works in their own right that are rarely exhibited or published - and the exquisite art made with these functional objects in India, Iran, and Turkey." "Drawn primarily from a prestigious private collection in Houston, the works in this fascinating book include pens, pen boxes, chests, tables, paper scissors, knives, burnishers, and book bindings of superb manufacture and design. These objects are presented with examples of calligraphy that were executed as practice exercises, occasional works, wall hangings, and manuscripts. Seen together, these rare works reveal the traces of their makers."--Jacket.
650 0 $aIslamic calligraphy$vExhibitions.
650 0 $aIslamic decorative arts$vExhibitions.
650 0 $aIslamic calligraphy.
700 1 $aRoxburgh, David J.
710 2 $aMuseum of Fine Arts, Houston.
710 2 $aHarvard University.$bArt Museums.
740 00 $aWord of God.
776 08 $iOnline version:$aMcWilliams, Mary.$tTraces of the calligrapher.$dHouston : Museum of Fine Arts ; New Haven : Distributed by Yale University Press, ©2007$w(OCoLC)608131119
988 $a20071128
906 $0DLC