| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:272305193:1748 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:272305193:1748?format=raw |
LEADER: 01748cam a2200361 a 4500
001 011320652-6
005 20080122153515.0
008 070216s2008 enkabg bk 001 0 eng
010 $a 2007007035
020 $a9780195175479 (alk. paper)
020 $a0195175476 (alk. paper)
020 $a9780195321234 (alk. paper)
020 $a0195321235 (alk. paper)
035 0 $aocm85692750
040 $aDLC$cDLC$dBAKER$dBTCTA$dC#P$dYDXCP$dHMU
043 $anwtr---
050 00 $aML3486.T7$bD84 2008
082 00 $a785/.680972983$222
100 1 $aDudley, Shannon.
245 10 $aMusic from behind the bridge :$bsteelband spirit and politics in Trinidad and Tobago /$cShannon Dudley.
246 30 $aSteelband spirit and politics in Trinidad and Tobago
260 $aOxford ;$aNew York :$bOxford University Press,$c2008.
300 $axiv, 311 p. :$bill., maps, music ;$c24 cm.
504 $aIncludes bibliographical references (p. 293-302), discography (p. 303), and index.
505 0 $aThe steelband movement and music -- An unlikely instrument -- The national instrument -- Dropping the bomb -- A showcase for pan -- Rise of the arranger -- Community participation -- Contest and control -- Writing their own tunes -- From panman to pannist -- Popular culture and nationalism.
650 0 $aSteel band music$zTrinidad and Tobago$xHistory and criticism.
650 0 $aSteel bands (Music)$zTrinidad and Tobago$xHistory.
650 0 $aPopular music$xSocial aspects$zTrinidad and Tobago.
655 7 $aCriticism, interpretation, etc.$2fast
655 7 $aHistory.$2fast
776 08 $iOnline version:$aDudley, Shannon.$tMusic from behind the bridge.$dNew York : Oxford University Press, 2008$w(OCoLC)664909914
988 $a20071129
906 $0DLC