MARC Record from harvard_bibliographic_metadata

LEADER: 01500cam a2200325 a 4500
001 011329576-6
005 20080104130605.0
008 070522s2007 ncua b 001 0 eng
010 $a 2007021235
020 $a9780822340591 (alk. paper)
020 $a0822340593 (alk. paper)
020 $a9780822340805 (pbk. : alk. paper)
020 $a0822340801 (pbk. : alk. paper)
035 0 $aocn134992230
040 $aDLC$cDLC$dBAKER$dBTCTA$dC#P$dYDXCP$dDLC$dHMU
043 $an-us---
050 00 $aML3524$b.P43 2007
082 00 $a781.642/09$222
100 1 $aPecknold, Diane.
245 14 $aThe selling sound :$bthe rise of the country music industry /$cDiane Pecknold.
260 $aDurham :$bDuke University Press,$c2007.
300 $ax, 294 p. :$bill. ;$c24 cm.
440 0 $aRefiguring American music
504 $aIncludes bibliographical references (p. [273]-286) and index.
505 0 $aCommercialism and the cultural value of country music, 1920-1947 -- Country music becomes mass culture, 1940-1958 -- Country audiences and the politics of mass culture, 1947-1960 -- Masses to classes : the Country Music Association and the development of country format radio, 1958-1972 -- Commercialism and tradition, 1958-1970 -- Silent majorities : the country audience as commodity, constituency, and metaphor, 1961-1975.
650 0 $aCountry music$xHistory and criticism.
650 0 $aMusic trade$zUnited States.
650 0 $aCountry music$xSocial aspects.
988 $a20071210
906 $0DLC