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Record ID harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:284519273:2771
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:284519273:2771?format=raw

LEADER: 02771cam a2200409 a 4500
001 011332264-X
005 20100318160950.0
008 080116s2007 enka b 001 0 eng d
010 $a 2008295498
020 $a0521863031
020 $a9780521863032
020 $a0511354568
020 $a9780511354564
035 0 $aocn141381969
040 $aYDXCP$cYDX$dDLC$dBTCTA$dBAKER$dYDXCP$dCNAUC$dIAY$dHMU
042 $alccopycat
043 $ae------
050 00 $aML3545$b.G45 2007
100 1 $aGelbart, Matthew.
245 14 $aThe invention of "folk music" and "art music" :$bemerging categories from Ossian to Wagner /$cMatthew Gelbart.
260 $aCambridge, UK ;$aNew York :$bCambridge University Press,$c2007.
300 $axii, 287 p. :$bill.$c24 cm.
440 0 $aNew perspectives in music history and criticism
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : the special roles of Scotland and Germany -- Function to origin : national identity and national genius emerge, c. 1700-1780 -- From pastoral to picturesque : nature, art, and genre in the later eighteenth century -- Genius versus art in the creative process : "national" and "cultivated" music as categories, 1760-1800 -- The invention of folk modality, 1775-1840 -- "Folk" and "tradition" : authenticity as musical idiom from the late eighteenth century onward -- Organic "art music" and individual original genius : aestheticizing the folk collective -- Local nation and universal folk : the legacy of geography in musical categories -- Folk and art musics in the modern Western world.
520 $aWe tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music today. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other.
650 0 $aNationalism in music.
650 0 $aStyle, Musical.
650 0 $aClassification$xMusic.
650 0 $aFolk music$xHistory and criticism.
650 0 $aMusic$zEurope$y18th century$xHistory and criticism.
650 0 $aMusic$zEurope$y19th century$xHistory and criticism.
650 0 $aMusic$xHistoriography.
655 7 $aCriticism, interpretation, etc.$2fast
776 08 $iOnline version:$aGelbart, Matthew.$tInvention of "folk music" and "art music"$dCambridge, UK ; New York : Cambridge University Press, 2007$w(OCoLC)872646216
988 $a20071212
906 $0OCLC