MARC Record from harvard_bibliographic_metadata

LEADER: 02636cam a22002894a 4500
001 011369747-3
005 20080212144805.0
008 070905s2007 nyuaf b 001 0 eng
010 $a 2007036785
020 $a1557837104 (pbk.)
020 $a9781557837103 (pbk.)
035 0 $aocn631169692
035 0 $aocn170058251
040 $aDLC$cDLC$dBAKER$dBTCTA$dYDXCP$dC#P$dBWX$dIXA
050 00 $aPN1997.C6555$bM67 2007
082 00 $a791.43/72$222
100 1 $aMorton, Ray,$d1961-
245 10 $aClose encounters of the third kind :$bthe making of Steven Spielberg's classic film /$cRay Morton.
260 $aNew York :$bApplause Theatre & Cinema Books,$c2007.
300 $axv, 383 p., [32] p. of plates :$bill. (some col.) ;$c23 cm.
504 $aIncludes bibliographical references (p. [367]-373) and index.
505 0 $aInvaders from Mars -- Steven Spielberg -- From Amblin' to Sugarland -- Watch the Skies -- The Producers -- Columbia -- Kingdom Come and Meeting of the Minds -- Starting Over -- The Screenplay -- Assembling the Team -- The Box Canyon and Beyond -- Black Backings and Green Lights -- Casting -- Music, Aliens, and Melinda Dillon -- Wyoming -- Mobile, Part I -- The Director -- Mobile, Part II -- Back to Los Angeles and on to India -- Special Photographic Effects, Part I: Clouds, Miniatures, and Matte Paintings -- Special Photographic Effects, Part II: Making Saucers Fly -- Special Photographic Effects, Part III: Putting it all together -- Post-Production -- Close Encounters, Scene By Scene -- Release -- The Special Editions -- Close Encounters of the Fourth Kind -- After the Glow -- Cast and Crew.
520 1 $a"A fascinating insider Hollywood story and a probing look into the methods and mind of a master filmmaker, Close Encounters of the Third Kind chronicles the making of this classic film from its inception through its tumultuous production to its many releases in special editions. Based on in-depth research and recollections of many of the film's principal creators, it celebrates the thirtieth anniversary of the film's initial release, featuring sixty-nine rare color and black-and-white photographs and new interviews with star Teri Garr, producer Michael Phillips, special photographic effects supervisor Douglas Trumbull, production designer Joe Alves, director of photography Vilmos Zsigmond (who won an Academy Award for his work on the film), and many of the cinematographers, screenwriters, and special-effects legends who helped bring the film to life."--Jacket.
630 00 $aClose encounters of the third kind (Motion picture)
988 $a20080124
049 $aHLSS
906 $0DLC