| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:353846610:1480 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01480cam a2200301 a 4500
001 011406547-0
005 20080403134929.0
008 070810s2007 enkag b 001 0deng
010 $a 2007033209
020 $a0521870607 (hbk.)
020 $a9780521870603 (hbk.)
035 0 $aocn165082722
040 $aDLC$cDLC$dBAKER$dBTCTA$dYDXCP$dBWKUK$dHMU
043 $ae-fr---$ae-it---
050 00 $aML410.R8$bW25 2007
082 00 $a782.1092$222
100 1 $aWalton, Benjamin,$d1972-
245 10 $aRossini in restoration Paris :$bthe sound of modern life /$cBenjamin Walton.
260 $aCambridge, UK ;$aNew York :$bCambridge University Press,$c2007.
300 $axv, 349 p. :$bill, music ;$c24 cm.
440 0 $aCambridge studies in opera
504 $aIncludes bibliographical references (p. 302-338) and index.
505 0 $aIntroduction : Music in the present tense -- 1824 : Deciphering hyperbole : Stendhal's Vie de Rossini -- 1825 : 'Quelque peu the̓âtral' : the operatic coronation of Charles X -- 1826 : 'Les Grecs sont français' : musical philhellenism in Paris -- 1827 : Dying for music : Rossini and Moïse -- 1828 : The discovery of the 'twin styles' -- 1829 : Looking for the revolution in Guillaume Tell -- Epilogue : 1830 : Beyond the Rossinian moment.
600 10 $aRossini, Gioacchino,$d1792-1868$xCriticism and interpretation.
650 0 $aOpera$zFrance$zParis$y19th century.
650 0 $aOpera$zItaly$y19th century.
988 $a20080311
906 $0DLC