| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:381632344:1629 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01629cam a2200253 a 4500
001 011432767-X
005 20080611134845.0
008 070817s2008 enka b 001 0 eng d
020 $a9781905375233
020 $a1905375239
035 0 $aocn166387025
040 $aBTCTA$cBTCTA$dYDXCP$dBAKER$dOAC$dMH-FA
050 4 $aND623.V5$bG37 2008
100 1 $aGarton, John.
245 10 $aGrace and grandeur :$bthe portraiture of Paolo Veronese /$cJohn Garton.
246 30 $aPortraiture of Paolo Veronese.
260 $aLondon :$bHarvey Miller,$cc2008.
300 $a368 p.$bill. (some col.) ;$c19 cm.
504 $aIncludes bibliographical references (p. 243-261) and index.
505 2 $aChapter 1 -- Portraits and villas -- Villa portraits and the classical tradition -- Symmetry, harmony, and the Da Porto family portrait -- Completing the family portrait: Maser reconsidered -- Chapter 2 -- Paragons of beauty -- 'Lusso e abuso': the economics of feminine display -- 'Cortegiana o nobildonna?": issues of identity -- Chapter 3 -- Men-at-arms -- Castiglione, Titian, and Veronese's ideal military leader -- Veronese, Tintoretto, and the Battle of Lepanto -- Chapter 4 -- Recovering antiquity: artists and noblemen -- The case of Alessandro Vittoria -- Facing other artists -- Elite melancholy and the contemplation of the antique -- From melancholy to eloquence: alternative ideals of the pastoral -- Chapter 5 -- Concluding remarks -- Epilogue: making a French impression: Veronese at the Louvre.
600 00 $aVeronese,$d1528-1588$xCriticism and interpretation.
700 0 $aVeronese,$d1528-1588.
988 $a20080414
906 $0OCLC