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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:385503410:1402
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:385503410:1402?format=raw

LEADER: 01402cam a22003014a 4500
001 011440952-8
005 20080428162305.0
008 071002s2008 moua b s001 0 eng
010 $a 2007040977
020 $a9780826217806 (alk. paper)
020 $a082621780X (alk. paper)
035 0 $aocn173749206
040 $aDLC$cDLC$dBAKER$dYDXCP$dC#P$dBWX$dDLC$dMH-FA
042 $alcac
043 $ae------
050 00 $aND457$b.B65 2008
082 00 $a759.05$222
100 1 $aBoime, Albert.
245 10 $aRevelation of modernism :$bresponses to cultural crises in fin-de-siècle painting /$cAlbert Boime.
260 $aColumbia [Missouri] :$bUniversity of Missouri Press,$cc2008.
300 $axxiv, 250 p. :$bill. (some col.) ;$c25 cm.
520 $a"Examines the work of postimpressionist painters - Van Gogh, Seurat, Cézanne, and Gauguin - and how they responded to cultural and spiritual crisis in the avant-garde world. Boime reconsiders familiar masterpieces and draws analogies with literary sources and social, personal, and political strategies to produce revelations that have eluded most art historians"--Provided by publisher.
504 $aIncludes bibliographical references (p. 225-238) and index.
650 0 $aPainting, European$y19th century.
650 0 $aArt and society$zEurope$xHistory$y19th century.
650 0 $aSocial problems in art.
988 $a20080417
906 $0DLC