| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:386383316:1940 |
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LEADER: 01940cam a2200349 a 4500
001 011441813-6
005 20080408064850.0
008 071022s2008 ncua b 001 0 eng
010 $a 2007043857
015 $aGBA825320$2bnb
016 7 $a014537147$2Uk
020 $a9780822341772 (cloth : alk. paper)
020 $a0822341778 (cloth : alk. paper)
020 $a9780822341949 (pbk. : alk. paper)
020 $a0822341948 (pbk. : alk. paper)
035 0 $aocn176649035
040 $aDLC$cDLC$dDLC
050 00 $aPN1995.9.C45$bC37 2008
082 00 $a791.436/3523$222
100 1 $aCartwright, Lisa,$d1959-
245 10 $aMoral spectatorship :$btechnologies of voice and affect in postwar representations of the child /$cLisa Cartwright.
260 $aDurham :$bDuke University Press,$c2008.
300 $ax, 287 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [255]-280) and index.
505 0 $aIntroduction: Spectatorship, affect, and representation -- Moral spectatorship ; rethinking identification in film theory -- The (deaf) woman's film and the quiet revolution in film sound : on projection, incorporation, and voice -- "A child is being beaten" : disorders of authorship, agency, and affect in facilitated communication -- Conclusion: On empathy and moral spectatorship.
520 $aThis film theory book picks up on themes in 'The Miracle Worker', and other mid-century films about young deaf girls, to rethink the politics of spectatorship. Cartwright offers a theory of the human subject that takes into account affective relationships and technologies that facilitate human agency.
650 0 $aChildren in motion pictures.
650 0 $aDeaf in motion pictures.
650 0 $aMotion picture audiences$xPsychology.
776 08 $iOnline version:$aCartwright, Lisa, 1959-$tMoral spectatorship.$dDurham : Duke University Press, 2008$w(OCoLC)654144186
988 $a20080418
906 $0DLC