| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:387154103:1058 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:387154103:1058?format=raw |
LEADER: 01058cam a2200277 a 4500
001 011442509-4
005 20080521113021.0
008 070307s2008 nyua b 001 0 eng
010 $a 2007009450
020 $a9780195326826 (acid-free paper)
020 $a0195326822 (acid-free paper)
035 0 $aocm85862251
040 $aDLC$cDLC$dYDX$dBTCTA$dBAKER$dYDXCP$dHMU
050 00 $aML3830$b.K7295 2008
082 00 $a781.1/7$222
100 1 $aKramer, Richard,$d1938-
245 10 $aUnfinished music /$cRichard Kramer.
260 $aNew York :$bOxford University Press,$c2008.
300 $axiii, 405 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. 381-398) and index.
505 0 $aFirst things -- Emanuel Bach and the allure of the irrational -- Between enlightenment and romance -- Beethoven : confronting the past -- Fragments -- Death masks.
650 0 $aMusic$xPsychological aspects.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aComposition (Music)$xPsychological aspects.
988 $a20080418
906 $0DLC