| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:401353371:1067 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:401353371:1067?format=raw |
LEADER: 01067cam a2200301 a 4500
001 011456577-5
005 20080505150958.0
008 071101s2008 enka 000 0deng
015 $aGBA791202$2bnb
016 7 $a014276709$2Uk
020 $a9781857094121 (hbk.)
020 $a1857094123 (hbk.)
035 0 $aocn181069500
040 $aUKM$cUKM$dBAKER$dBTCTA$dYDXCP$dBWKUK$dBWK
050 4 $aND497.W28$bW54 2008
082 04 $a759.2911$222
100 1 $aWiggins, Colin.
245 10 $aAlison Watt :$bphantom /$cColin Wiggins and Don Paterson.
260 $aLondon :$bNational Gallery ;$a[New Haven, Conn.] :$bDistributed by Yale University Press,$c2008.
300 $a71 p. :$bcol. ill. ;$c28 cm.
500 $aPublished to accompany the exhibition at the National Gallery, London, from 12 March to 22 June 2008.
600 10 $aWatt, Alison,$d1965-$vExhibitions.
600 10 $aWatt, Alison,$d1965-$xCriticism and interpretation.
650 0 $aDrapery in art$vExhibitions.
700 1 $aPaterson, Don,$d1963-
988 $a20080505
049 $aHFLA
906 $0OCLC