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Record ID harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:427054491:2643
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:427054491:2643?format=raw

LEADER: 02643cam a2200265Ia 4500
001 011480194-0
005 20080804163147.0
008 080208s2008 enkg b 001 0 eng d
020 $a052188814X
020 $a9780521888141
035 0 $aocn191891559
040 $aYDXCP$cYDXCP$dBAKER$dBTCTA$dBWK$dBWX$dOCLCQ
050 4 $aMT90$b.D34 2008
100 1 $aDamschroder, David.
245 10 $aThinking about harmony :$bhistorical perspectives on analysis /$cDavid Damschroder.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c2008.
300 $aix, 331 p. :$bmusic ;$c26 cm.
504 $aIncludes bibliographical references (p. [322]-327) and index.
505 0 $aChord identification. Arabic and Roman numerals ; Daube's three chords and the emergence of a function theory ; Chordal roots ; Mendelssohn's Wedding march and British harmonic theory -- Chordal embellishment. Rameau on suspensions ; Kirnberger's incidental dissonances ; Embellishment in a phrase by Chopin ; Koch's Stammakkord and the dissonant six-four ; A Beethoven/Schubert connection ; Berlioz and Fétis on embellishment -- Parallel and sequential progressions. Parallel motion in thirds or sixths ; Chains of descending fifths ; Langle's Tours de l'harmonie ; Schubert's transformation of the ascending 5-6 sxequence -- Harmonic progression. The artistic progression of harmonic triads ; Rankings of chord successions ; Portmann's rules of succession ; The privileged fifth ; Succession by third ; Succession by second ; Koch's model : Schubert's composition -- Chordal hierarchy. Passing note, passing chord ; Reductive analysis in the nineteenth century ; Hierarchy in fifth-related chords ; Dehn on Beethoven -- Modulation to closely related keys. An analytical pioneer : Lampe ; Chromatic pitches as modulatory triggers ; Non-modulatory analysis ; Multiple meaning ; Prout's modulatory practice -- Chromatic chords : diminished/augemented. Chords via "licence" ; Enharmonicism ; Diminished seventh chords in Weber's Euryanthe ; Marx on diminished thirds (augmented sixths) ; Weitzmann on diminished sevenths -- Chromatic chords : major and minor. ♭II : the strategy of denial ; ♭II : strategies of inclusion ; Non-diatonic goals of modulation ; Rossini and the major mediant ; Seyfried's and Schubert's modulations ; A Wagnerian antipodal conundrum ; A parallel progression in Verdi's Luisa Miller.
650 0 $aMusical analysis$xHistory$y19th century.
650 0 $aHarmony$y19th century$xHistory and criticism.
650 0 $aChords (Music)$xHistory$y19th century.
650 0 $aMusic$xHistory and criticism.
988 $a20080603
906 $0OCLC