MARC Record from harvard_bibliographic_metadata

LEADER: 01642cam a2200301 a 4500
001 011491402-8
005 20080711163522.0
008 070910s2008 enkaf b 001 0 eng
010 $a 2007037290
020 $a9780521882606 (hardback)
020 $a0521882605 (hardback)
035 0 $aocn172521702
040 $aDLC$cDLC$dBAKER$dBTCTA$dYDXCP$dOCLCG$dC#P$dBWX$dHMU
043 $ae------
050 00 $aML240$b.W43 2008
082 00 $a780.78$222
100 1 $aWeber, William,$d1940-
245 14 $aThe great transformation of musical taste :$bconcert programming from Haydn to Brahms /$cWilliam Weber.
260 $aCambridge :$aNew York :$bCambridge University Press,$c2008.
300 $axv, 334 p., [26] p. of plates :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 311-319) and index.
505 0 $aMiscellany and collegiality, 1750-1800 -- Concepts and contexts -- Variations on miscellany -- Crisis and experiment, 1800-1848 -- Musical idealism and the crisis of the old order -- The rise of the chamber music concert -- Convention and experiment in benefit and virtuoso concerts -- Toward classical repertory in orchestral concerts -- Promenade concerts : rise of the "pops" -- Founding a new order, 1848-1875 -- Classical music achieves hegemony -- Vocal music for the general public -- Epilogue : the state of the musical community in 1914.
650 0 $aConcerts$zEurope$xHistory$y19th century.
650 0 $aConcerts$zEurope$xHistory$y18th century.
650 0 $aMusic$xSocial aspects$xHistory$y19th century.
650 0 $aMusic$xSocial aspects$xHistory$y18th century.
988 $a20080616
906 $0DLC