MARC Record from harvard_bibliographic_metadata

LEADER: 03390cam a2200361 a 4500
001 011516501-0
005 20090417044852.0
008 021029s2003 tnu b s001 0 eng
010 $a 2002152532
020 $a1572332239 (acid-free paper)
020 $a9781572332232 (acid-free paper)
035 0 $aocm50960823
040 $aDLC$cDLC$dLAS$dBAKER$dBTCTA$dYDXCP$dUQ1
043 $an-us---
050 00 $aPS374.N29$bT89 2003
082 00 $a813/.50912$221
245 00 $aTwisted from the ordinary :$bessays on American literary naturalism /$cedited by Mary E. Papke.
250 $a1st ed.
260 $aKnoxville :$bUniversity of Tennessee Press,$cc2003.
300 $axiv, 416 p. ;$c24 cm.
440 0 $aTennessee studies in literature ;$vv. 40
504 $aIncludes bibliographical references and index.
505 00 $tThe silent partnership : Naturalism and sentimentalism in the novels of Rebecca Harding Davis and Elizabeth Stuart Phelps /$rSara Britton Goodling --$tPerformative passages : Davis's "Life in the iron mills", Craine's "Maggie", and Norris's "McTeague" /$rWilliam Dow --$tStephen Crane and the transformation of the Bowery /$rRobert M. Dowling --$t"Is there a doctor in house?" Norris's naturalist gaze of clinical observation in "McTeague" /$rDaniel Schierenbeck --$tMcTeague : Naturalism, legal stealing, and the anti-gift /$rHildegard Hoeller --$t"The signs and symbols of the West" : Frank Norris, The Octopus, and the naturalization of market capitalism /$rAdam H. Wood --$tNo green card needed : Dreiserian naturalism and proletarian female whiteness /$rLaura Hapke --$tCoon shows, ragtime, and the blues : Race, urban culture, and the naturalist vision in Paul Laurence Dunbar's The sport of the gods /$rNancy Von Rosk --
505 00 $t"Working" towards a sense of agency : Determinism in The wings of the dove /$rBrannon W. Costello --$tAssaulting the Yeehats : Violence and space in The call of the wild /$rJames R. Giles --$t"Violent movements of business" : The moral nihlist as economic man in Jack London's The sea-wolf /$rDavid K. Heckerl --$tHighbrow/Lowbrow : Naturalist writers and the "reading habit" /$rBarbara Hochman --$tThe "bitter taste" of naturalism : Edith Wharton's The house of mirth and David Graham Phillips's Susan Lenox /$rDonna M. Campbell --$t"Hunting for the real" : Responses to art in Edith Wharton's Custom of the country /$rLilian R. Furst --$tTurning Zola inside out : Jane Addams and literary naturalism /$rKatherine Joslin --$tOppressive bodies : Victorianism, feminism, and naturalism in Evelyn Scott's The narrow house$rTim Edwards --$tFear, consumption, and desire : Naturalism and Ann Petry's The street /$rKecia Driver McBride --
505 00 $tNaturalism's Midddle Ages : The evolution of the American true-crime novel, 1930-1960$rLana A. Whited --$tFrom determinism to indeterminacy : Chaos theory, systems theory, and the discourse of naturalism /$rMohamed Zayani --$tWhither naturalism? /$rPhilip Gerber --$tIs American literary naturalism dead? A further inquiry /$rDonald Pizer.
650 7 $a20e siècle.$2rasuqam
650 7 $aRoman américain.$2rasuqam
650 7 $aLittérature américaine.$2rasuqam
650 0 $aAmerican fiction$y20th century$xHistory and criticism.
650 0 $aNaturalism in literature.
650 7 $aNaturalisme (Art et littérature)$2rasuqam
988 $a20080718
906 $0DLC