MARC Record from harvard_bibliographic_metadata

LEADER: 02171cam a2200349 a 4500
001 011535601-0
005 20090417045952.0
008 071107s2008 paua b 001 0 eng
010 $a 2007045407
020 $a9781592133154 (cloth : alk. paper)
020 $a1592133150 (cloth : alk. paper)
020 $a9781592133161 (pbk. : alk. paper)
020 $a1592133169 (pbk. : alk. paper)
035 0 $aocn176982526
040 $aDLC$cDLC$dDLC$dHMU
043 $an-us-ny
050 00 $aML3535.5$b.W37 2008
082 00 $a781.64089/6807471$222
100 1 $aWashburne, Christopher.
245 10 $aSounding salsa :$bperforming Latin music in New York City /$cChristopher Washburne.
260 $aPhiladelphia :$bTemple University Press,$cc2008.
300 $axii, 254 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. [230]-243) and index.
505 0 $aSalsa bands and the performance of pueble -- The music is so good, but the scene is pure dues!: salsa musicians -- Play like there's a gun to your head!: the aesthetics and performance practice of sounding violence in salsa -- New York salsa and drugs: aesthetics, performance practice, governmental policy, and the illicit drug trade -- La India and the masquerading of gender on the salsa scene -- They are going to hear this in Puerto Rico. It has got to be good!: the sound and style of salsa.
520 $aThis ethnographic journey into the New York salsa scene of the 1990s offers detailed accounts of musicians grappling with intercultural tensions and commercial pressures. The author, himself an accomplished salsa musician, examines the organizational structures, recording processes, rehearsing and gigging of salsa bands.
650 0 $aSalsa (Music)$zNew York (State)$zNew York$xSocial aspects.
650 0 $aSalsa (Music)$zNew York (State)$zNew York$xHistory and criticism.
650 0 $aSalsa (Music)$xSocial aspects$zNew York (State)$zNew York.
655 7 $aCriticism, interpretation, etc.$2fast
776 08 $iOnline version:$aWashburne, Christopher.$tSounding salsa.$dPhiladelphia : Temple University Press, c2008$w(OCoLC)619653973
988 $a20080812
906 $0DLC