MARC Record from harvard_bibliographic_metadata

LEADER: 02129cam a2200325 a 4500
001 011566908-6
005 20081107161905.0
008 010922s2002 nyua bq 001 0beng
010 $a 2001047720
020 $a0826451586 (alk. paper)
020 $a0826451578 (pbk. : alk. paper)
020 $a9780826451576 (pbk.)
035 0 $aocm48053816
040 $aDLC$cDLC$dDLC
042 $apcc
050 00 $aPN1998.3.G89$bM39 2002
082 00 $a791.43/0233/092$aB$221
100 1 $aMcMahan, Alison.
245 10 $aAlice Guy Blaché :$blost visionary of the cinema /$cAlison McMahan.
260 $aNew York :$bContinuum,$c2002.
300 $axli, 361 p. :$bill. ;$c24 cm.
490 1 $aWomen make cinema
504 $aIncludes bibliographical references (p. [340]-348) and index.
500 $aFilmography: p. [299]-339.
505 8 $aMachine generated contents note: ACKNOWLEDGMENTS vii -- DEDICATION xi -- LIST OF ILLUSTRATIONS xiii -- KEY DATES IN THE LIFE OF ALICE GUY BLACHt xvii -- INTRODUCTION: The Search for Alice Guy Blache xxiii -- CHAPTER ONE: The Birth of Film Narrative 1 -- CHAPTER TWO: Sound Rewrites Silents: Alice Guy -- and The Gaumont Chronophone 43 -- CHAPTER THREE: The Growth of Narrative: -- Alice Guy's Silent Film Production at Gaumont, -- 1902-1907 78 -- CHAPTER FOUR: Solax: An American Film Company 110 -- CHAPTER FIVE: Feature-length Films and the End of -- the Solax Company 154 -- CHAPTER SIX: Madame a des envies (Madame has -- her Cravings): Cross-dressing in the Comedies -- of Alice Guy 206 -- CONCLUSION 242 -- APPENDIX A: A Standard Identification Process, -- Or How the Work of Alice Guy has benefitted -- from increased communication between -- researchers (by Sabine Lenk) 277 -- Alice Guy in the NFTVA (by Graham Melville) 281 -- APPENDIX B: Extant Films of Alice Guy 288 -- APPENDIX C: Complete Filmography 298 -- Gaumont Films 299 -- Sound Films 320 -- Solax Films 325 -- BIBLIOGRAPHY 340 -- INDEX 349.
600 10 $aGuy, Alice,$d1873-1968.
650 0 $aMotion picture producers and directors$zFrance$vBiography.
830 0 $aWomen make cinema.
988 $a20080917
906 $0DLC