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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:528997959:1281
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:528997959:1281?format=raw

LEADER: 01281cam a2200253Ia 4500
001 011575594-2
005 20081014112815.0
008 080103s2007 mau 000 p eng d
020 $a097766676X
020 $a9780977666768
035 0 $aocn187109620
040 $aNOG$cNOG$dNUI$dBTCTA$dBAKER$dBWX$dYDXCP
043 $an-us-ma
050 4 $aPS3569.E88635$bC56 2007
100 1 $aSexton, Thomas F.
245 12 $aA clock with no hands /$cTom Sexton.
250 $a1st ed.
260 $aEasthampton, MA :$bAdastra Press,$cc2007.
300 $a64 p. ;$c23 cm.
520 $aThese poems are visceral and evocative reminiscences of growing up in a decaying mill city in the 1940s and 50s. The relatives, the workers, the streets, canals, and old factories of Lowell, Massachusetts live again in Sexton's deft imagination. There are poems of the neighborhood and the family, of his father during hard times collecting scrap metal off the streets, Uncle Paul getting laid off, homages to waitresses and laundry workers, and the tree wherein are carved the names of a season s Boston Red Sox lineup. Many of the poems are sonnets, some free verse, and all show Sexton's eye for the telling detail.
651 0 $aLowell (Mass.)$vPoetry.
988 $a20080927
049 $aHLSS
906 $0OCLC