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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:700285662:1567
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:700285662:1567?format=raw

LEADER: 01567cam a2200277 a 4500
001 011794279-0
005 20090226110324.0
008 080729s2008 nyu b 001 0 eng
010 $a 2008033791
020 $a9781604975581 (alk. paper)
020 $a160497558X (alk. paper)
035 0 $aocn237047646
040 $aDLC$cDLC$dYDXCP$dC#P$dCDX$dBWX$dHMU
050 00 $aML3800$b.P45 2008
082 00 $a781.1/7$222
090 $aML3800$b.P455 2008
100 1 $aPhillips, Gerald L.$q(Gerald Lynn)
245 10 $aDead composers, living audiences : the situation of classical music in the twenty-first century /$cGerald L. Phillips.
260 $aAmherst, N.Y. :$bCambria Press,$cc2008.
300 $axvi, 358 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. [335]-347) and index.
505 0 $aThemes and variations. Diction : a rhapsody ; Singing, creativity, and courage ; A modest proposal -- Words, music, and meaning. Words and words, words and the world : intertextuality ; Music and words 1 : musikē ; Music and words 2 : Nietzsche and The birth of tragedy -- Science, music, paradigms, and meaning. Science and paradigms ; Science and music : paradigms and "normal practitioners" ; Einstein and Schoenberg : the move to radical abstraction ; Modernism and the "end" of paradigms -- Toward a symbiosis : rational and a-rational. Modernism, postmodernism, and the reproduction of distraction ; Self, difference, and reconciliation.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aMusical canon.
988 $a20081223
906 $0DLC