MARC Record from harvard_bibliographic_metadata

LEADER: 01891cam a2200361 a 4500
001 011794600-1
005 20131113045924.0
008 080325s2008 txuag b s001 0 eng
010 $a 2008013679
015 $aGBA8A3966$2bnb
016 7 $a014703107$2Uk
020 $a9781574412499 (cloth : alk. paper)
020 $a1574412493 (cloth : alk. paper)
035 0 $aocn220098192
040 $aDLC$cDLC$dBTCTA$dYDXCP$dUKM$dCDX$dC#P$dBWX$dHMU
043 $an-us---
050 00 $aMT95$b.L37 2008
082 00 $a782.10973$222
100 1 $aLatham, Edward David.
245 10 $aTonality as drama :$bclosure and interruption in four twentieth-century American operas /$cEdward D. Latham.
260 $aDenton, Tex. :$bUniversity of North Texas Press,$cc2008.
300 $axv, 221 p. :$bill., music ;$c24 cm.
504 $aIncludes bibliographical references (p. 193-210) and index.
505 0 $aTonality as drama : an introduction -- Dramatic closure : the Stanislavsky system and the attainment of character objectives -- Tonal closure : a Schenkerian approach to tonal drama -- The completed background line with open-ended coda : Scott Joplin's "grand opera" Treemonisha (1911) -- The multi-movement Anstieg or initial ascent : George Gershwin's "folk opera" Porgy and Bess (1935) -- The multi-movement initial arpeggiation : Kurt Weill's "Broadway opera" Street scene (1947) -- The prolonged permanent interruption : Aaron Copland's "operatic tone poem" The tender land (1954).
650 0 $aOperas$xAnalysis, appreciation.
650 0 $aOpera$zUnited States$y20th century.
600 10 $aJoplin, Scott,$d1868-1917.$tTreemonisha.
600 10 $aWeill, Kurt,$d1900-1950.$tStreet scene.
600 10 $aGershwin, George,$d1898-1937.$tPorgy and Bess.
600 10 $aCopland, Aaron,$d1900-1990.$tTender land.
730 0 $aProject Muse UPCC books$5net
988 $a20081223
906 $0DLC