MARC Record from harvard_bibliographic_metadata

LEADER: 01941nam a22003614a 4500
001 011814401-4
005 20140318024406.0
008 080729s2008 mauaf b 001 0 eng d
010 $a 2008033692
020 $a9789004171015 (hardback : alk. paper)
035 0 $aocn500732337
035 0 $aocn231588813
040 $aDLC$cDLC$dHTV
043 $ae------
050 00 $aN7660$b.C64 2008
082 00 $a704.9/43209409024$222
100 1 $aCohen, Simona.
245 10 $aAnimals as disguised symbols in Renaissance art /$cby Simona Cohen.
260 $aBoston :$bBrill,$c2008.
300 $axxxix, 316 p. :$bill. (some col.) ;$c25 cm.
490 1 $aBrill's studies in intellectual history ,$x0920-8607 ;$v169
490 1 $aBrill's studies on art, art history, and intellectual history ;$v2
504 $aIncludes bibliographical references (p. [297]-303) and index.
505 0 $aMedieval sources of Renaissance animal symbolism -- Renaissance naturalists and animal symbolism : fact and fantasy -- Emblematic literature and related sources -- The birds and animals of Carpaccio's Miles Christianus -- The enigma of Carpaccio's Venetian ladies -- Animals in the paintings of Titian : a key to hidden meanings -- Titian's London allegory and the three beasts of his Selva oscura -- Animal heads and hybrid creatures : the case of the San Lorenzo Lavabo and its sources -- Andrea del Sarto's Madonna of the harpies and the human-animal hybrid in the Renaissance -- The ambivalent scorpio in Bronzino's London allegory.
650 0 $aAnimals in art.
650 0 $aAnimals$xSymbolic aspects$zEurope.
650 0 $aArt, Renaissance$xThemes, motives.
650 7 $aKunst.$2swd
650 7 $aTiersymbolik.$2swd
830 0 $aBrill's studies in intellectual history.$pBrill's studies on art, art history, and intellectual history ;$vv. 2.
830 0 $aBrill's studies in intellectual history ;$vv. 169.
988 $a20090126
906 $0DLC