MARC Record from harvard_bibliographic_metadata

LEADER: 01425cam a2200289 a 4500
001 011828134-8
005 20090212143336.0
008 080701s2009 ctua bk 001 0 eng
010 $a 2008029355
015 $aGBA8A9211$2bnb
016 7 $a014753984$2Uk
020 $a9780275998608 (alk. paper)
020 $a0275998606 (alk. paper)
035 0 $aocn233543975
040 $aDLC$cDLC$dBTCTA$dYDXCP$dBAKER$dUKM$dC#P$dBWX$dCDX$dHMU
043 $ae-uk---
050 00 $aML3534.6.G7$bP47 2009
082 00 $a781.660941/09045$222
100 1 $aPerone, James E.
245 10 $aMods, rockers, and the music of the British invasion /$cJames E. Perone.
260 $aWestport, Conn. :$bPraeger Publishers,$cc2009.
300 $aviii, 214 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. [181]-185), discography(p. [187]-201), and index.
505 0 $aIntroduction: the Mods versus the Rockers -- Skiffle and 1950s British rockers -- 1960-1963: from the rocker aesthetic to the mod aesthetic -- The Beatles and Merseybeat: balancing the sides -- A different sort of balance: the Dave Clark Five -- The Who and the Kinks: mod to the core -- The blues and R&B bands -- The Rolling Stones: it all starts with the blues -- And that's not all: other British invasion artists -- Impact on America and conclusions.
650 0 $aRock music$zGreat Britain$xHistory and criticism.
988 $a20090211
906 $0DLC