| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:741318964:1451 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01451cam a2200277 a 4500
001 011830568-9
005 20090219122424.0
008 080620s2009 nyua b 001 0 eng
010 $a 2008027811
020 $a9780415991988 (hardback)
020 $a0415991986 (hardback)
020 $a9780415991995 (pbk.)
020 $a0415991994 (pbk.)
035 0 $aocn223810763
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dC#P$dBWX$dCDX$dHMU
050 00 $aML2075$b.W54 2009
082 00 $a781.5/4209$222
100 1 $aWierzbicki, James Eugene.
245 10 $aFilm music :$ba history /$cJames Wierzbicki.
260 $aNew York :$bRoutledge,$c2009.
300 $axv, 312 p. :$bill. ;$c27 cm.
504 $aIncludes bibliographical references (p. 279-294) and index.
505 0 $aIntroduction -- Music and the "silent" film (1894-1927). Origins, 1894-1905 ; The nickelodeon, 1905-1915 ; Feature films, 1915-1927 -- Music and the early sound film (1894-1933). The long advent of sound, 1894-1926 ; Vitaphone and movietone, 1926-8 ; Hollywood's early sound films, 1928-33 -- Music in the "classical-style" Hollywood film (1933-60) ; The "golden age" of film music, 1933-49 ; Postwar innovations and the strugge for survival, 1949-58 -- Film music in the post-classic period (1958-2008). A "new wave" of film music, 1958-1978 ; Eclecticism, 1978-2001 ; Epilogue, 2001-8.
650 0 $aMotion picture music$xHistory and criticism.
988 $a20090213
906 $0DLC