MARC Record from harvard_bibliographic_metadata

LEADER: 03563cam a2200445 a 4500
001 011884515-2
005 20090312144850.0
008 081106s2009 nyua bc 000 0 eng
015 $aGBA8D1317$2bnb
016 7 $a014821630$2Uk
020 $a9780892073832 (hbk.)
020 $a0892073837 (hbk.)
020 $a9780892073849 (softcover)
020 $a0892073845 (softcover)
035 0 $aocn276224558
040 $aUKM$cUKM$dBTCTA$dYDXCP$dAS0$dC#P$dTJC$dMH-FA
043 $an-us---
050 4 $aN6510$b.M86 2009
082 04 $a709.730904$222
100 1 $aMunroe, Alexandra.
245 14 $aThe third mind :$bAmerican artists contemplate Asia, 1860-1989 /$cAlexandra Munroe ; appendices by Ikuyo Nakagawa.
246 30 $aAmerican artists contemplate Asia, 1860-1989
260 $aNew York :$bGuggenheim Museum :$bAvailabel through D.A.P./Distributed Art Publishers [distributor],$cc2009.
300 $a439 p. :$bill. (some col.) ;$c32 cm.
500 $aPublished to accompany an exhibition at the Solomon R. Guggenheim Museum, New York, Jan. 30-Apr. 19, 2009.
504 $aIncludes bibliographical references (p. 426-437).
505 0 $aOrientalism, South Asia, and the discourse of world religions / Richard King -- Postwar America and the aura of Asia / Harry Harootunian -- Aestheticism and Japan : the cult of the orient / Vivien Greene -- Landscapes of the mind : new conceptions of nature / Kathleen Pyne and D. Scott Atkinson -- Ezra Pound, modern poetry, and dance theater : transliterations / J. Thomas Rimer -- The Asian dimensions of postwar abstract art : calligraphy and metaphysics / Bert Winther-Tamaki -- Buddhism and the neo-avant-garde : Cage Zen, Beat Zen, and Zen / Alexandra Munroe -- Asian structures in modern composition : music and philosophy / David W. Patterson -- Art of perceptual experience : pure abstraction and ecstatic minimalism / Alexandra Munroe -- Performance art and the experiential present : irregular ways of being / Kristine Stiles.
520 1 $a"The Third Mind: American Artists Contemplate Asia, 1860-1989 illuminates the dynamic and complex impact of Asian art, literature and philosophy to American creative culture spanning the early modern through contemporary periods. It documents how the visual and conceptual langauge of American art evolved through a process of appropriation and integration that runs consistently from the 1860s to the 1980s, when globalization came to eclipse earlier, more deliberate modes of cultural transmission. Opening with the late nineteenth-century Aesthetic movement that arose from Boston's Transcendentalist circles, this chronological and thematic history reveals the Asian courses that also shaped abstract art, Conceptual art, Minimalism and the neo-avant-garde as they unfolded in New York and on the West Coast." "This illustrated catalogue features essays by leading scholars in art history, history, Asian studies, and postcolonial religions and cultural studies."--Jacket.
650 0 $aArt, American$y19th century$vExhibitions.
650 0 $aArt, American$y20th century$vExhibitions.
650 0 $aArt, American$xOriental influences$vExhibitions.
650 0 $aArts, Asian$xInfluence$vExhibitions.
650 0 $aPhilosophy, Asian$xInfluence$vExhibitions.
650 0 $aPhotography, Artistic$vExhibitions.
650 0 $aPhotography$zUnited States$xHistory$y20th century$vExhibitions.
650 0 $aArtists$zUnited States$vExhibitons.
651 0 $aAsia$vIn art.
710 2 $aSolomon R. Guggenheim Museum.
988 $a20090309
906 $0OCLC