Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:787277931:2232 |
Source | harvard_bibliographic_metadata |
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LEADER: 02232cam a2200349 a 4500
001 011884859-3
005 20090326094707.0
008 071114s2009 nyua b 001 0 eng
010 $a 2007047198
020 $a9780195340501 (alk. paper)
020 $a9780195340518 (alk. paper)
035 0 $aocn181730605
040 $aDLC$cDLC$dDLC$dMH-FA
043 $an-us---
050 00 $aN6538.N5$bH43 2009
082 00 $a704.03/96073$222
245 04 $aThe hearing eye :$bjazz & blues influences in African American visual art /$cedited by Graham Lock and David Murray.
260 $aNew York :$bOxford University Press,$cc2009.
300 $axv, 366 p. :$bill. (some col.) ;$c26 cm.
504 $aIncludes bibliographical references and index.
505 00 $t"Selling that stuff": advertising art and early blues on 78s /$rPaul Oliver --$tBlues on the brush: Rose Piper's blues and Negro folk songs paintings of the 1940s /$rGraham Lock --$tMichael Cummings: stitching in tempo --$t"Pure eye music": Norman Lewis, abstract expressionism, and bebop /$rSara Wood --$tSam Middleton: the painter as improvising soloist --$gThe$tenigma of Bob Thompson /$rRichard H. King --$tWadsworth Jarrell and AFRICOBRA: sheets of color, sheets of sound --$t"We used to say 'stashed'": Romare Bearden paints the blues /$rRobert G. O'Meally --$t"Blues and the abstract truth": or, did Romare Bearden really paint jazz? /$rJohannes Völz --$tJoe Overstreet: light in darkness --$tRoyalty, heroism, and the streets: the art of Jean-Michel Basquiat /$rRobert Farris Thompson --$tEllen Banks: the geometries of the score --$t"And you slip into the breaks and look around": jazz and everyday life in the photographs of Roy DeCarava /$rRichard Ings --$gA$tJackson in the house: musicians talk painters.
650 0 $aAfrican American art$y20th century.
650 0 $aArt and music$zUnited States$xHistory$y20th century.
650 0 $aJazz in art.
650 0 $aBlues (Music) in art.
655 7 $aHistory.$2fast
700 1 $aLock, Graham,$d1948-
700 1 $aMurray, David.
700 1 $aMurray, David,$d1945-
776 08 $iOnline version:$tHearing eye.$dNew York : Oxford University Press, ©2009$w(OCoLC)742574021
988 $a20090309
906 $0DLC