Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:825911394:1509 |
Source | harvard_bibliographic_metadata |
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LEADER: 01509cam a2200325 a 4500
001 011932460-1
005 20090413164056.0
008 081027s2009 ilu 000 1 eng
010 $a 2008046264
015 $aGBA904719$2bnb
016 7 $a014878037$2Uk
020 $a9781564785404 (pbk. : alk. paper)
020 $a1564785408 (pbk. : alk. paper)
035 0 $aocn267051428
040 $aDLC$cDLC$dYDX$dBTCTA$dUKM$dYDXCP$dCDX$dBWX$dIHE$dDLC
050 00 $aPR6063.O82$bG63 2009
082 00 $a823/.914$222
100 1 $aMosley, Nicholas,$d1923-
245 10 $aGod's hazard :$ba novel /$cby Nicholas Mosley.
250 $a1st ed.
260 $aChampaign [Ill.] :$bDalkey Archive Press,$c2009.
300 $a199 p. ;$c21 cm.
490 1 $aBritish literature series
520 $a"God is said to have given humans freedom. Yet in the story of Genesis, God is a punishing father figure. Why have humans portrayed him this way? Here, a contemporary writer named Adam imagines God behaving as a good father should, seeing it is time for his children to leave home. Adam writes an account of this, and the story of his own child, Sophie, and his relationship with her. The scene moves from London to New York to Israel to Iran and Iraq. And might not God as well as Adam have a wife to take up the cause if things go wrong?"--Jacket.
650 0 $aFather and child$vFiction.
650 0 $aGod$vFiction.
655 7 $aFiction.$2fast
830 0 $aBritish literature series.
988 $a20090410
906 $0DLC