MARC Record from harvard_bibliographic_metadata

LEADER: 02080cam a22003854a 4500
001 011967721-0
005 20131113055151.0
008 081024s2009 ncua b s001 0 eng
010 $a 2008045196
015 $aGBA927871$2bnb
016 7 $a014932054$2Uk
020 $a9780807832691 (cloth : alk. paper)
020 $a0807832693 (cloth : alk. paper)
020 $a9780807859407 (pbk. : alk. paper)
020 $a0807859400 (pbk. : alk. paper)
035 0 $aocn261174620
040 $aDLC$cDLC$dBTCTA$dYDXCP$dUKM$dC#P$dCDX$dBWX
043 $anwcu---
050 00 $aPN1993.5.C8$bS86 2009
082 00 $a791.43097291/090511$222
100 1 $aStock, Ann Marie.
245 10 $aOn location in Cuba :$bstreet filmaking [sic] during times of transition /$cAnn Marie Stock.
260 $aChapel Hill :$bUniversity of North Carolina Press,$cc2009.
300 $axxiv, 340 p. :$bill. ;$c24 cm.
490 1 $aEnvisioning Cuba
504 $aIncludes bibliographical references (p. [317]-327) and index.
505 0 $aIntroduction: screening an island nation in transition -- Documenting tumultuous times: new culture organizations proffer alternatives -- Establishing community media in the mountains: Televisión Serrana strengthens highland identity -- Balancing tradition and innovation: the National Animation Studio negotiates the global marketplace -- Opening new roads: Juan Carlos Cremata Malberti redefines revolutionary filmmaking -- Promoting popular genres: Pavel Giroud revises conceptions of Cuban cinema -- Filming in the margins: Esteban Insausti explores life and art amidst chaos -- Making space for new interventions: a montage from the national exhibit of new filmmakers -- Epilogue: reflections on Cuba, filmmaking, and the times ahead.
650 0 $aMotion pictures$zCuba$xHistory$y20th century.
650 0 $aMotion pictures$zCuba$xHistory$y21st century.
650 0 $aMotion pictures$xStudy and teaching (Graduate)$zCuba.
730 0 $aProject Muse UPCC books$5net
830 0 $aEnvisioning Cuba.
988 $a20090508
049 $aHLSS
906 $0DLC