MARC Record from harvard_bibliographic_metadata

LEADER: 03913cam a2200457 a 4500
001 011996473-2
005 20091013132820.0
008 090227s2009 nyuag b 001 0 eng c
015 $aGBA922530$2bnb
016 7 $a014920659$2Uk
020 $a9780300145472 (hbk.)
020 $a0300145470 (hbk.)
035 0 $aocn262432355
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042 $aukblcatcopy$apcc
043 $ae-fr---
050 4 $aML724$b.H69 2009
082 04 $a786.2092244$222
084 $a24.64$2bcl
100 1 $aHowat, Roy.
245 14 $aThe art of French piano music :$bDebussy, Ravel, Fauré, Chabrier /$cRoy Howat.
260 $aNew Haven, Conn. ;$aLondon :$bYale University Press,$cc2009.
300 $axvi, 400 p. :$bill., music ;$c25 cm.
504 $aIncludes bibliographical references (p. [377]-388) and index.
505 0 $aThe exactitude of musical 'Impressionism' (Painting in sound ; Painting in musical structure (1) : Debussy's Preludes ; Painting in musical structure (2) : Ravel's Gaspard de la nuit ; Shapes and forms ; Reflets dans l'eau', Hokusai, Edgar Allan Poe and Leonardo of Pisa) -- Musical roots and antecedents (Chopin's legacy ; 'Musique adorable ': à la découverte d'Emmanuel Chabrier ; Debussy and the Orient ; The exotic via Russia and Spain ; The clavecinistes ; Romanticism) -- Fresh perspectives (Rhythmic games in Ravel ; Rhythmic games in Chabrier ; Repertoire discoveries) -- At the keyboard (What do we interpret? ; Editions and what they can't quite tell us ; Rhythm, tempo, dance and humour ; A fresh look at Gabriel Fauré ; Orchestral thinking and the pedals ; Body language and the piano ; The composer as pianist) -- Appendices ('Facilement, facilement' : finding technical ease ; Glosses on titles and musical allusions ; Composers' surviving instruments and recordings ; Brief summary of critical editions ; Locations of musical manuscripts discussed)
520 $aAn essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Fauré and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat's direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime's scholarship with practical experience of teaching and the concert platform [Publisher's description]
600 10 $aDebussy, Claude,$d1862-1918$xCriticism and interpretation.
600 10 $aDebussy, Claude,$d1862-1918.$tPiano music.
600 10 $aRavel, Maurice,$d1875-1937$xCriticism and interpretation.
600 10 $aRavel, Maurice,$d1875-1937.$tPiano music.
600 10 $aFauré, Gabriel,$d1845-1924$xCriticism and interpretation.
600 10 $aFauré, Gabriel,$d1845-1924.$tPiano music.
600 10 $aChabrier, Emmanuel,$d1841-1894$xCriticism and interpretation.
600 10 $aChabrier, Emmanuel,$d1841-1894.$tPiano music.
650 0 $aPiano music$zFrance$xAnalysis, appreciation.
650 17 $aPianomuziek.$2gtt
651 7 $aFrankrijk.$2gtt
650 0 $aPiano music$zFrance$xHistory and criticism.
988 $a20090608
049 $aHMUU
906 $0OCLC