Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:107725405:1787 |
Source | harvard_bibliographic_metadata |
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LEADER: 01787cam a22004094a 4500
001 012093554-6
005 20091019145206.0
008 081125s2009 ohua b s001 0 eng
010 $a 2008051411
020 $a9780814210970 (cloth : alk. paper)
020 $a081421097X (cloth : alk. paper)
020 $a9780814291931 (CD-ROM)
020 $a0814291937 (CD-ROM)
035 0 $aocn276515132
040 $aDLC$cDLC$dBTCTA$dCDX$dC#P$dBWX$dYDXCP
043 $ae-uk---
050 00 $aPR595.O6$bP47 2009
082 00 $a821/.8093552$222
082 4 $a821.009
100 1 $aShires, Linda M.,$d1950-
245 10 $aPerspectives :$bmodes of viewing and knowing in nineteenth-century England /$cLinda M. Shires.
260 $aColumbus :$bOhio State University Press,$cc2009.
300 $axii, 157 p. :$bill. ;$c24 cm.
490 1 $aVictorian critical interventions
504 $aIncludes bibliographical references and index.
505 0 $aNineteenth-century challenges to Renaissance perspective -- D.G. Rossetti's double work of art and the viewer/reader -- The photographic perspectives of Henry Peach Robinson and Lady Clementina Hawarden -- Points of view in "Pippa passes," The woman in white, and Silas Marner -- Coda.
650 0 $aEnglish poetry$y19th century$xHistory and criticism$xTheory, etc.
650 0 $aLiterature and society$zEngland$xHistory$y19th century.
650 0 $aOptics in literature.
650 0 $aPhotography in literature.
650 0 $aSubjectivity in literature.
650 0 $aObjectivity in literature.
776 08 $iOnline version:$aShires, Linda M., 1950-$tPerspectives.$dColumbus : Ohio State University Press, ©2009$w(OCoLC)648806761
830 0 $aVictorian critical interventions.
988 $a20091007
049 $aHLSS
906 $0DLC