MARC Record from harvard_bibliographic_metadata

LEADER: 01764cam a2200301 a 4500
001 012105898-0
005 20091218113007.0
008 081118s2009 enkag b 001 0 eng
010 $a 2008049687
020 $a9780754656067 (hbk. : alk. paper)
020 $a0754656063 (hbk. : alk. paper)
020 $a9780754694601 (ebk.)
020 $a0754694607 (ebk.)
035 0 $aocn276274634
040 $aDLC$cDLC$dBTCTA$dYDXCP$dBWKUK$dBWK$dHMU
050 00 $aMT62$b.K48 2009
082 00 $a784.18/3$222
245 00 $aKeys to the drama :$bnine perspectives on sonata forms /$cedited by Gordon Sly.
260 $aFarnham, England ;$aBurlington, VT :$bAshgate,$cc2009.
300 $axviii, 229 p. :$bill., music ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aThe divided tonic in the first movement of Beethoven's Op. 132 / Frank Samarotto -- Types, tokens, and Figaro : musical structure and dramatic narrative in the act I trio from Mozart's Marriage of Figaro / Matthew Shaftel -- Mahler's Third symphony and the dismantling of sonata form / William Marvin -- Motivic design and coherence in the first movement of Schubert's "Arpeggione" sonata D. 821 / Evan Jones -- Reading Mozart's piano sonata in D major (K. 311) first movement / Neil Minturn -- Design and structure in Schubert's sonata forms : an evolution toward integration / Gordon Sly -- On Chopin's Fourth ballade / Edward Laufer -- Committing to opening theme possibilities : how Beethoven's sketchbook struggles are reflected in two symphonic movements / Alan Gosman -- A-major events / Brian Alegant.
650 0 $aSonata form.
650 0 $aMusical analysis.
700 1 $aSly, Gordon Cameron,$d1958-$4edt
988 $a20091026
049 $aHMUU
906 $0DLC