| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:13269817:1374 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01374cam a22003614a 4500
001 012012034-8
005 20090828095608.0
008 081222s2009 enka b 001 0 eng
010 $a 2008054317
020 $a9780415430890 (hardback)
020 $a0415430895 (hardback)
020 $a9780415430906 (pbk.)
020 $a0415430909 (pbk.)
035 0 $aocn244057114
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dBWKUK$dBWX$dCDX
050 00 $aBF173.J85$bS56 2009
060 00 $a2009 H-107
060 10 $aWM 460.5.J9$bS617f 2009
082 00 $a791.4301/9$222
082 4 $a150.195
100 1 $aSingh, Gregory Matthew,$d1976-
245 10 $aFilm after Jung :$bpost-Jungian approaches to film theory /$cGreg Singh.
260 $aLondon ;$aNew York :$bRoutledge,$c2009.
300 $aix, 218 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [200]-208) and index.
505 0 $aIntroduction: 'The image and the material' -- Film theory : a critical historiography -- Applying key jungian concepts in film theory.
650 0 $aJungian psychology.
650 0 $aMotion pictures$xPsychological aspects.
650 12 $aJungian Theory.
650 22 $aMotion Pictures as Topic.
776 08 $iOnline version:$aSingh, Gregory Matthew, 1976-$tFilm after Jung.$dLondon ; New York : Routledge, 2009$w(OCoLC)623037422
988 $a20090623
906 $0DLC