MARC Record from harvard_bibliographic_metadata

LEADER: 02125cam a2200289 a 4500
001 012117619-3
005 20091124140005.0
008 090626s2009 nyua b 001 0 eng
015 $aGBA969656$2bnb
016 7 $a015326960$2Uk
020 $a9780826417855 (hbk.)
020 $a082641785X (hbk.)
020 $a9781441160690 (pbk.)
020 $a1441160698 (pbk.)
035 0 $aocn426120543
040 $aUKM$cUKM$dBET$dBWX$dC#P$dOUP
050 4 $aPN1993.5.I8$bB66 2009
082 04 $a791.430945$222
100 1 $aBondanella, Peter E.,$d1943-
245 12 $aA history of Italian cinema /$cPeter Bondanella.
260 $aNew York :$bContinuum,$c2009.
300 $axiv, 684 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 593-645) and index.
505 0 $aPart One: Early Italian Cinema -- The silent era -- The coming of sound and the fascist era -- Part Two: Italian Neorealism -- Masters of neorealism: Rossellini, De Sica, and Visconti -- Exploring the boundaries of neorealism -- The break with neorealism: the cinema of the reconstruction, Fellini's trilogies of character and grace, and the return of melodrama -- Part Three: The Golden Age of Italian Cinema -- The Italian "Peplum": the sword and sandal epic -- Commedia all'italiana: comedy and social criticism -- Neorealism's legacy to a new generation, and the Italian political film -- The mateur auteurs: new dimensions in film narrative in Visconti, Antonioni, De Sica, and Fellini -- The spaghetti nightmare: horror films from the 1950s to the present -- A fistful of pasta: Sergio Leone and the spaghetti western -- Mystery, gore, and mayhem: the Italian Giallo -- Myth, Marx, and Freud in Pier Paolo Pasolini and Bernardo Bertolucci -- The Poliziesco: Italian crime films from the 1970s to the present -- Part Four: Generational Change in the Contemporary Italian Cinema -- The old guard never surrenders: Italy's prewar auteurs in the 1980s and 1990s -- The third wave: a new generation of auteurs -- Italian cinema enters the third millennium.
650 0 $aMotion pictures$zItaly$xHistory.
988 $a20091110
906 $0OCLC