| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:185096345:1506 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01506cam a2200361 a 4500
001 012167944-6
005 20100212112710.0
008 081222s2009 iluag b 001 0 eng c
010 $a 2008055137
015 $aGBA994166$2bnb
016 7 $a015380256$2Uk
020 $a9780226425962 (cloth : alk. paper)
020 $a9780226425979 (pbk. : alk. paper)
020 $a0226425967 (cloth : alk. paper)
020 $a0226425975 (pbk. : alk. paper)
024 8 $a40017398501
035 0 $aocn297405968
040 $aICU/DLC$cDLC$dBTCTA$dUKM$dC#P$dCOO$dYUS$dHMU
042 $apcc
050 00 $aML60$b.K18 2009
082 00 $a781.6/8117$222
100 1 $aKatz, Ruth,$d1927-
245 12 $aA language of its own :$bsense and meaning in the making of Western art music /$cRuth Katz.
260 $aChicago :$bUniversity of Chicago Press,$c2009.
300 $axxiii, 354 p. :$bill., music ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aThe structuring of a self-referential world. The making of musical building blocks ; Systematizing musical laws -- The crafting of a shared understanding. Separating sense from meaning ; Probing the limits of musical coherence -- The retreat from the shared understanding. A shift in thought and theory ; The appropriation of musical meaning.
650 0 $aMusic.
650 0 $aMusic$xHistory and criticism.
650 0 $aMusic$xSocial aspects.
650 0 $aMusic$xPhilosophy and aesthetics.
988 $a20091224
906 $0OCLC