MARC Record from harvard_bibliographic_metadata

LEADER: 02717nam a2200553Mi 4500
001 012173601-6
005 20100222175813.0
008 980924t19951989xxua 001 0 eng d
020 $a0806127155
020 $a9780806127156
035 0 $aocn440020374
040 $aSILIS$eppiak$bslv$cSILIS$dHMU
044 $axxu$cusa
080 $a82.09$2do 4. izd.
245 10 $aPostmodern genres /$cedited by Marjorie Perloff.
250 $aNew ed., 1st paperback print.
260 $aNorman ;$aLondon :$bUniversity of Oklahoma Press,$c1989.
300 $aIX, 276 str. :$bilustr. ;$c24 cm.
490 1 $aOklahoma project for discourse and theory ;$vvol. 5
504 $aBibliografija: pri vsakem članku.
504 $aKazalo.
650 04 $aPostmodernizam$xžanri$vštudije.
653 0 $azgodovinski roman$azgodovinska metafikcija$aStein, Gertrude$apostmoderna poezija$afotografija$ainstalacije
700 12 $aAntin, David.$tStranger at the door.
700 12 $aCohen, Ralph.$tDo postmodern genres exist?
700 12 $aPerloff, Marjorie.$4edt
700 12 $aLindenberger, Herbert.$tFrom opera to postmodernity: on genre style, institutions.
700 12 $aHutcheon, Linda.$t"The pastime of past time": fiction, history, historiographic metafiction.
700 12 $aDavidson, Michael.$tPalimtexts: postmodern poetry and the material text.
700 12 $aHubert, René Riese.$tGertrude Stein, cubism, and the postmodern book.
700 12 $aGarber, Frederick.$tGenerating the subject: the images of Cindy Sherman.
700 12 $aPrinz, Jessica.$t"Always two things switching": Laurie Anderson's alterity.
700 12 $aSayre, Henry M.$tInstallation and dislocation: the example of Jonathan Borofsky.
700 12 $aPerloff, Marjorie.$tMusic for words perhaps: reading/hearing/seeing John Cage's Roaratorio.
700 12 $aRetallack, Joan.$tPost-scriptum - high-modern.
740 02 $aDo postmodern genres exist?.
740 02 $aFrom opera to postmodernity: on genre style, institutions.
740 52 $a"The pastime of past time": fiction, history, historiographic metafiction.
740 02 $aPalimtexts: postmodern poetry and the material text.
740 02 $aGertrude Stein, cubism, and the postmodern book.
740 02 $aGenerating the subject: the images of Cindy Sherman.
740 02 $a"Always two things switching": Laurie Anderson's alterity.
740 02 $aInstallation and dislocation: the example of Jonathan Borofsky.
740 02 $aMusic for words perhaps: reading/hearing/seeing John Cage's Roaratorio.
740 42 $aThe stranger at the door.
740 02 $aPost-scriptum - high-modern.
830 0 $aOklahoma project for discourse and theory ;$vvol. 5.
988 $a20100110
906 $0OCLC