MARC Record from harvard_bibliographic_metadata

LEADER: 01821pam a2200301 a 4500
001 012177207-1
005 20100114154646.0
008 040521s2004 enk b 001 0 eng
010 $a 2004052666
020 $a0826466486
020 $a9781847143259 (electronic bk.)
040 $aDLC$cDLC$dIG#$dOCLCQ$dDLC
050 00 $aPN56.M54$bL36 2004
082 00 $a809/.911$222
100 1 $aLambert, Gregg,$d1961-
245 14 $aThe return of the Baroque in modern culture /$cGregg Lambert.
260 $aLondon :$bNew York :$bContinuum,$cc2004.
300 $a168 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. [150]-161) and index.
505 0 $aAcknowledgements; Introduction: Why the baroque?; Part One: Renovations of the Seventeenth-Century Baroque; Part Two: Baroque and Modern; Part Three: Baroque and Postmodern; Part Four: Baroque and Postcolonial; Conclusion: One or many baroques?; Notes; Bibliography; Index.
520 $aThe Return of the Baroque in Modern Culture explores the re-invention of the early European Baroque within the philosophical, cultural, and literary thought of postmodernism in Europe, the United States, the Caribbean, and Latin America. Gregg Lambert argues that the "return of the Baroque" expresses a principle often hidden behind the cultural logic of postmodernism in its various national and cultural incarnations, a principal often in variance with Anglo-American modernism. Writers and theorists examined include Walter Benjamin, Paul de Man, Jacques Derrida, Michel Foucault, Octavio Paz, and.
650 0 $aModernism (Literature)
650 0 $aModernism (Aesthetics)
650 0 $aPostmodernism.
650 0 $aBaroque literature$xHistory and criticism.
650 0 $aLiterature, Modern$y20th century$xHistory and criticism.
988 $a20100114
906 $0DLC