MARC Record from harvard_bibliographic_metadata

LEADER: 01768cam a2200325Ia 4500
001 012196257-1
005 20100409123042.0
008 090612t20102009nyua 001 0beng d
010 $a 2010275729
020 $a9780802710765
020 $a080271076X
035 0 $aocn401150912
040 $aBTCTA$cBTCTA$dOCO$dCLE$dYDXCP$dBWX$dPX0$dTXG$dDLC
043 $ae-it---
050 4 $aND623.T7$bH843 2009
090 $aND623.T7$bH843 2009
100 1 $aHudson, Mark,$d1957-
245 10 $aTitian :$bthe last days /$cMark Hudson.
250 $a1st U.S. ed.
260 $aNew York :$bWalker,$c2010, c2009.
300 $axiv, 304 p., [8] p. of plates :$bcol. ill. ;$c25 cm.
500 $aIncludes index.
505 0 $aTowards Titian -- The Most Talked About Building in Venice -- The Sacred Conversation -- The Archetypal Man -- A Moment of Enormous Confusion -- The Alabaster Room -- Sixteen Positions -- 'The Obscenest Picture' -- The Flesh Breathes -- A Painting About Red -- A Burnished, God-like Glow -- Nothing is Fixed, Nothing Entirely Static -- The Pure White Gleam of the Holy Spirit -- Still in the Game -- The Last Painting.
520 $aOnly a handful of Titian's final paintings remain in existence, dispersed through galleries around the world. And there are no dates or documentation attached to any of them. We don't know precisely when they were painted, why and for whom. One of them was discovered only relatively recently, hanging in a remote monastery in the Czech Republic.
600 00 $aTitian,$dapproximately 1488-1576.
650 0 $aPainters$zItaly$vBiography.
776 08 $iOnline version:$aHudson, Mark, 1957-$tTitian.$b1st U.S. ed.$dNew York : Walker, 2010, ©2009$w(OCoLC)691031528
988 $a20100205
049 $aHLSS
906 $0OCLC