MARC Record from harvard_bibliographic_metadata

LEADER: 01968cam a22003134a 4500
001 012198160-6
005 20100818191341.0
008 100419s2010 fr a b 001 0 fre
010 $a 2010486577
020 $a9782859174989
020 $a2859174982
035 0 $aocn425446426
040 $aDLC$cDLC$dERASP$dTZT$dFXM
043 $ae-fr---
050 00 $aNK2549$b.M37 2010
082 04 $a745
100 1 $aMestdagh, Camille.
245 12 $aL'ameublement d'art français :$b1850-1900 /$cCamille Mestdagh ; avec la collaboration de Pierre Lécoules.
260 $aParis :$bÉditions de l'Amateur,$cc2010.
300 $a327 p. :$bill. (some col.) ;$c32 cm.
504 $aIncludes bibliographical references (p. 319-322) and index.
520 8 $aSummary: The objective of this publication is to understand the operation of a woodworking shop in Paris between 1860 and 1900, a period between a very pronounced taste for the 18th century and the emergence of Art Nouveau in 1900. The author, Camille Mestdagh, works for the auction house Bonhams in London. She is a specialist in furniture and 19th century Parisian workshops active during this period. Pierre Lécoules is an antiquarian by profession and passion, and is responsible for the technical part of the book. Their collaboration gives birth to a full study of several houses of renowned production: Dasson, Beurdeley, Sormani, Durand, Zwiener Jansen, Millet, Krieger. For each an analysis is made of signatures, wood used, and special scenery. All these techniques allow data to better know the productions of each. The analysis allows the author to understand the life of the workshop: work organization, structure of the workshop, and description of the clientele.
650 0 $aFurniture$zFrance$zParis$xHistory$y19th century.
650 0 $aGilt bronzes, French$zFrance$zParis$y19th century.
700 1 $aLécoules, Pierre.
899 $a415_565634
988 $a20100209
049 $aHFLA
906 $0DLC