Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:218097370:1430 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:218097370:1430?format=raw |
LEADER: 01430cam a2200337 a 4500
001 012198179-7
005 20100209105341.0
008 100120s2010 nyua b 001 0 eng
010 $a 2010002536
015 $aGBA9A9730$2bnb
016 7 $a015416149$2Uk
020 $a9780415801003 (hardback : alk. paper)
020 $a0415801001 (hardback : alk. paper)
020 $a9780415801010 (pbk. : alk. paper)
020 $a041580101X (pbk. : alk. paper)
020 $a9780203876879 (ebook)
020 $a0203876873 (ebook)
035 0 $aocn317928107
040 $aDLC$cDLC$dYDX$dYDXCP$dUKM
050 00 $aPN1994$b.E53 2010
082 00 $a791.43$221
100 1 $aElsaesser, Thomas,$d1943-
245 10 $aFilm theory :$ban introduction through the senses /$cThomas Elsaesser and Malte Hagener.
260 $aNew York :$bRoutledge,$c2010.
300 $aviii, 222 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : film theory, cinema, the body and the senses -- Cinema as window and frame -- Cinema as door : screen and threshold -- Cinema as mirror and face -- Cinema as eye : look and gaze -- Cinema as skin and contact -- Cinema as ear : acoustic and space -- Cinema as brain : mind and brain -- Conclusion : digital cinema : the body and the senses refigured?
650 0 $aMotion pictures.
700 1 $aHagener, Malte,$d1971-
988 $a20100209
906 $0DLC