MARC Record from harvard_bibliographic_metadata

LEADER: 03204cam a2200433 a 4500
001 012259386-3
005 20100331115841.0
008 090430s2009 cc a b 101 0 eng
015 $aGBA945853$2bnb
016 7 $a015176234$2Uk
020 $a9789622099746 (hbk.)
020 $a9622099742 (hbk.)
020 $a9789622099753 (pbk.)
020 $a9622099750 (pbk.)
035 0 $aocn320496376
040 $aUKM$cUKM$dBTCTA$dYDXCP$dVA@$dTXA
042 $apcc
043 $aae-----
050 4 $aHD9999.C9473$bE18 2009
082 04 $a338.4370095$222
245 00 $aCultural studies and cultural industries in northeast Asia :$bwhat a difference a region makes /$cedited by Chris Berry, Nicola Liscutin, and Jonathan D. Mackintosh.
260 $aAberdeen, Hong Kong :$bHong Kong University Press ;$aLondon :$bEurospan [distributor],$c2009.
300 $axiv, 323 p. :$bill. ;$c23 cm.
490 1 $aTransAsia: screen cultures
500 $a"The volume emerges from an international symposium of the same title, organized by the Japanese Department of Birkbeck, University of London and the Pacific-Asia Cultural Studies Forum of Goldsmiths, University of London, in 2006."--P. [1].
504 $aIncludes bibliographical references (p. [281]-308) and index.
505 00 $gIntroduction /$rJonathan D. Mackintosh, Chris Berry, and Nicola Liscutin --$tReconsidering East Asian connectivity and the usefulness of media and cultural studies /$rKōichi Iwabuchi --$tAsian cultural studies :$trecapturing the encounter with the heterogeneous in cultural studies /$rMichael Dutton --$tHow to speak about oneself :$ttheory and identity in Taiwan /$rMark Harrison --$tPlacing South Korean cinema into the Pusan International Film Festival :$tprogramming strategy in the global/local context /$rSooJeong Ahn --$tGlobal America? :$tAmerican-Japanese film co-productions from Shogun (1980) to Lost in translation (2003) /$rYoshi Tezuka --$tIn between the values of the global and the national :$tthe Korean animation industry /$rAe-Ri Yoon --$tThe transgression of sharing and copying :$tpirating Japanese animation in China /$rLaikwan Pang --$tThe East Asian brandscape :$tdistribution of Japanese brands in the age of globalization /$rShinji Oyama --$tKorean pop music in China :$tnationalism, authenticity, and gender /$rRowan Pease --$tSurfing the neo-nationalist wave :$ta case study of Manga Kenkanryū /$rNicola Liscutin --$tMelodrama, exorcism, mimicry :$tJapan and the colonial past in the new Korean cinema /$rMark Morris --$tReconsidering cultural hybridities :$ttransnational exchanges of popular music in between Korea and Japan /$rYoshitaka Mōri.
650 0 $aCultural industries$zEast Asia$xRegional disparities$vCongresses.
650 0 $aCultural industries$xSocial aspects$zEast Asia$vCongresses.
650 0 $aCulture$xStudy and teaching$zEast Asia$vCongresses.
700 1 $aBerry, Chris,$d1959-
700 1 $aLiscutin, Nicola.
700 1 $aMackintosh, Jonathan D.
700 1 $aBerry, Chris,$d1959-$eeditor.
700 1 $aLiscutin, Nicola,$eeditor.
700 1 $aMackintosh, Jonathan D.,$eeditor.
830 0 $aTransAsia: screen cultures.
988 $a20100331
906 $0OCLC