Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:312680973:2867 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:312680973:2867?format=raw |
LEADER: 02867cam a2200421 a 4500
001 012337488-X
005 20100520131844.0
008 100311s2010 ilua bc 001 0 eng
015 $aGBB040462$2bnb
016 7 $a015511939$2Uk
020 $a9780300155273 (cloth)
020 $a0300155271 (cloth)
020 $a9780865592377 (paper)
020 $a0865592373 (paper)
035 0 $aocn559857331
040 $aUKM$cUKM$dYUS$dC#P$dBTCTA$dYDXCP$dMH-FA
050 4 $aND553.M37$bA4 2010
082 04 $a759.4$222
100 1 $aD'Alessandro, Stephanie.
245 10 $aMatisse :$bradical invention, 1913-1917 /$cStephanie D'Alessandro, John Elderfield.
246 30 $aRadical invention, 1913-1917
250 $a1st ed.
260 $aChicago :$bArt Institute of Chicago ;$a[New York] :$bMuseum of Modern Art ;$aNew Haven :$bYale University Press,$cc2010.
300 $a368 p. :$bill. (some col.) ;$c34 cm.
504 $aIncludes bibliographical references and index.
500 $aPublished in conjunction with an exhibition held at the Art Institute of Chicago, Mar. 20, 2010-June 20, 2010, and at the Museum of Modern Art, July 18, 2010-Oct. 11, 2010.
505 0 $aMatisse, 1913-1917, and the methods of modern construction -- Defining a new art. Chronology 1907-1913 ; Modernism and tradition ; Opportunity and invention ; Construction by means of color -- Changing direction. Chronology 1913-1914 ; A painful effort ; New ambitions -- Art as experiment. Chronology 1914-1917 ; Interruptions and returns ; The challenge of painting ; Charting a new course -- Coda : the experiment remembered.
520 $aThis book examines the working method, experimental techniques, and compositional choices Matisse used in works created between 1913 and 1917. The works that Henri Matisse (1869-1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and dominated by the colors black and gray, these compositions are rigorously abstracted and purged of nearly all descriptive detail. Although they have typically been treated as unrelated to one another, as aberrations within the artist's oeuvre, or as singular responses to Cubism or World War I, this book reveals the deep connections among them.
600 10 $aMatisse, Henri,$d1869-1954$vExhibitions.
600 10 $aMatisse, Henri,$d1869-1954$xCriticism and interpretation.
600 10 $aMatisse, Henri,$d1869-1954.
700 1 $aElderfield, John.
710 2 $aArt Institute of Chicago.
710 2 $aMuseum of Modern Art (New York, N.Y.)
700 1 $aMatisse, Henri,$d1869-1954.
776 08 $iOnline version:$aD'Alessandro, Stephanie.$tMatisse.$b1st ed.$dChicago, Ill. : Art Institute of Chicago ; New Haven, Conn. : Distributed by Yale University Press, ©2010$w(OCoLC)741887039
988 $a20100504
906 $0OCLC