| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:324055169:1434 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:324055169:1434?format=raw |
LEADER: 01434cam a2200349 a 4500
001 012347771-9
005 20100515224514.0
008 090804s2010 caua b 001 0 eng
010 $a 2009030995
015 $aGBB011787$2bnb
016 7 $a015478746$2Uk
020 $a9780520256729 (cloth : alk. paper)
020 $a0520256727 (cloth : alk. paper)
020 $a9780520254565 (pbk. : alk. paper)
020 $a0520254562 (pbk. : alk. paper)
035 0 $aocn429474037
035 $a(PromptCat)40017882026
040 $aDLC$cDLC$dYDX$dUKM$dYDXCP
043 $aa-ja---
050 00 $aPN1993.5.J3$bG45 2010
082 00 $a791.430952/09041$222
100 1 $aGerow, Aaron Andrew.
245 10 $aVisions of Japanese modernity :$barticulations of cinema, nation, and spectatorship, 1895-1925 /$cAaron Gerow.
260 $aBerkeley :$bUniversity of California Press,$cc2010.
300 $axiii, 323 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aThe motion pictures as a problem -- Gonda Yasunosuke and the promise of film study -- Studying the pure film -- The subject of the text: Benshi, authors, and industry -- Managing the internal -- Conclusion : mixture, hegemony, and resistance.
650 0 $aMotion pictures$zJapan$xHistory$y19th century.
650 0 $aMotion pictures$zJapan$xHistory$y20th century.
653 $aPure Film Movement
988 $a20100515
906 $0DLC