Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:337727499:1334 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:337727499:1334?format=raw |
LEADER: 01334cam a2200301 a 4500
001 012359986-5
005 20100607161754.0
008 090706s2010 nyuag b 001 0 eng
010 $a 2009027143
020 $a9780230609839 (alk. paper)
020 $a023060983X (alk. paper)
035 0 $aocn226357064
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dC#P$dBWX$dCDX$dHMU
050 00 $aML3849$b.H49 2010
100 1 $aHoagwood, Terence Allan,$d1952-
245 10 $aFrom song to print :$bRomantic pseudo-songs /$cTerence Allan Hoagwood.
250 $a1st ed.
260 $aNew York :$bPalgrave Macmillan,$c2010.
300 $axvi, 196 p. :$bill., music ;$c22 cm.
490 1 $aNineteenth-century major lives and letters
504 $aIncludes bibliographical references and index.
505 0 $aRomantic-period poetry and the "sweet power of song" -- Sir Walter Scott, "ballad deception," and Romantic pseudo-songs -- The "cool medium" of Sydney Owenson's The lay of an Irish harp -- Contradictory arts : Moore's Irish melodies -- "It gave them virtues not their own" : Byron's Hebrew melodies.
650 0 $aMusic and literature$xHistory$y19th century.
650 0 $aEnglish poetry$y19th century$xHistory and criticism.
830 0 $aNineteenth-century major lives and letters.
988 $a20100601
049 $aHMUU
906 $0DLC