| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:345528692:1578 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01578cam a2200277 a 4500
001 012502555-6
005 20100812134151.0
008 090518s2009 ilua b 001 0 eng c
010 $a 2009020600
020 $a9780226426860 (cloth : alk. paper)
020 $a0226426866
035 0 $aocn317922854
040 $aICU/DLC$cDLC$dDLC
042 $apcc
050 00 $aND623.A7$bK38 2009
082 00 $a759.5$222
100 1 $aKaufmann, Thomas DaCosta.
245 10 $aArcimboldo :$bvisual jokes, natural history, and still-life painting /$cThomas DaCosta Kaufmann.
260 $aChicago ;$aLondon :$bThe University of Chicago Press,$c2009.
300 $axv, 313 p. :$bill. (some col.) ;$c29 cm.
504 $aIncludes bibliographical references (p. 291-305) and index.
505 0 $aIntroduction -- Arcimboldo's Lombard origins -- Arcimboldo from 1562: the creation of composite heads -- Learning, poetry, and art -- Serious jokes -- Natural philosophy, natural history, and nature painting -- Nature studies -- Arcimboldo and the origins of still life -- Arcimboldo's paradoxical paintings and the origins of still life -- Conclusion: Arcimboldo in the history of art -- Appendix 1. Arcimboldo, the Facchini, and popular culture -- Appendix 2. Arcimboldo and Meda at Monza -- Appendix 3. Concordance of Arcimboldo images from the Aldrovandi letter, Bologna -- Dresden Kupferstich-kabinett ca 213, Vienna (cod. min. 42) and the 'museum' of Rudolf II (cod min. 129 and 130).
600 10 $aArcimboldi, Giuseppe,$d1527-1593.
899 $a415_565082
988 $a20100609
906 $0OCLC