Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:372086291:2670 |
Source | harvard_bibliographic_metadata |
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LEADER: 02670cam a2200397 a 4500
001 012528079-3
005 20100812141143.0
008 091204s2010 ncua b 001 0 eng c
010 $a 2009049951
015 $aGBB046426$2bnb
016 7 $a015522599$2Uk
020 $a9780822345886 (cloth : alk. paper)
020 $a0822345889 (cloth : alk. paper)
020 $a9780822346067 (pbk. : alk. paper)
020 $a0822346060 (pbk. : alk. paper)
035 0 $aocn468973213
035 $a(PromptCat)40018056271
040 $aNcD/DLC$cDLC$dBTCTA$dUKM$dYDXCP$dNDD$dBWX
042 $apcc
043 $an-us---
050 00 $aE169.12$b.C573 2010
082 00 $a306.0973$222
100 1 $aCollins, Jim,$d1953-
245 10 $aBring on the books for everybody :$bhow literary culture became popular culture /$cJim Collins.
260 $aDurham, NC :$bDuke University Press,$c2010.
300 $a287 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. [267]-275) and index.
505 0 $aThe end of civilization (or at least civilized reading) as you know it : Barnes & Noble, Amazon.com, and self-cultivation -- Book clubs, book lust, and national librarians : literary connoisseurship as popular entertainment -- The movie was better : the rise of the cine-literary -- "Miramaxing" : beyond mere adaptation -- Sex and the post-literary city -- The devoutly literary bestseller.
520 $a"Bring on the Books for Everybody is an engaging assessment of the robust popular literary culture that has developed in the United States during the past two decades. Jim Collins describes how a once solitary and print-based experience has become an exuberantly social activity, enjoyed as much on the screen as on the page. Fueled by Oprah's Book Club, Miramax film adaptations, superstore bookshops, and new technologies such as the Kindle digital reader, literary fiction has been transformed into best-selling, high-concept entertainment. Collins highlights the infrastructural and cultural changes that have given rise to a flourishing reading public at a time when the future of the book has been called into question. Book reading, he claims, has not become obsolete; it has become integrated into popular visual media.
650 0 $aPopular culture and literature$zUnited States.
650 0 $aPopular culture$zUnited States.
650 0 $aBook clubs (Bookselling)$zUnited States.
650 0 $aBook clubs (Discussion groups)$zUnited States.
776 08 $iOnline version:$aCollins, Jim, 1953-$tBring on the books for everybody.$dDurham, NC : Duke University Press, 2010$z082239197X$w(OCoLC)653403566
988 $a20100714
906 $0OCLC