Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:383730510:1376 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:383730510:1376?format=raw |
LEADER: 01376nam a22003014a 4500
001 012538800-4
005 20110202142215.0
008 090924s2010 enka 000 0 eng
010 $a 2009937850
015 $aGBB028703$2bnb
016 7 $a015490266$2Uk
020 $a9781857094862 (pbk.)
020 $a1857094867 (pbk.)
035 0 $aocn520767522
040 $aUKM$cUKM$dBWK$dC#P$dBWX$dCDX$dMZA$dDLC
042 $alccopycat
050 00 $aN8790$b.W54 2010
082 04 $a702.8/74$222
100 1 $aWieseman, Marjorie E.
245 12 $aA closer look :$bdeceptions and discoveries /$cMarjorie E. Wiesman.
260 $aLondon :$bNational Gallery Co. ;$a[New Haven, Conn.] :$bDistributed by Yale University Press,$c2010.
300 $a95 p. :$bill. (some col.) ;$c22 cm.
520 8 $aHow do experts spot masterpieces? Paintings are not always signed or documented, so how can one tell an obscure gem from an altered image? Scientists, conservators and art historians use a range of methods to examine the physical nature of pictures and unravel their hidden histories. Through a series of examples and clearly explained processes, this brand new guide will draw the reader into the complex issues confronted by gallery professionals.
650 0 $aArt$xForgeries.
710 2 $aNational Gallery (Great Britain)
899 $a415_565082
988 $a20100729
906 $0OCLC