MARC Record from harvard_bibliographic_metadata

LEADER: 01966cam a2200325 a 4500
001 012542853-7
005 20101203191338.0
008 090825s2009 nyu b 001 0 eng
010 $a 2009035502
020 $a9781604976502 (hardcover : alk. paper)
020 $a1604976500 (hardcover : alk. paper)
035 0 $aocn434439582
040 $aDLC$cDLC$dC#P$dYDXCP$dBWX$dCDX$dDLC
050 00 $aN6494.V53$bM356 2009
082 00 $a778.59074$222
100 1 $aManasseh, Cyrus.
245 14 $aThe problematic of video art in the museum, 1968-1990 /$cCyrus Manasseh.
260 $aAmherst, N.Y. :$bCambria Press,$cc2009.
300 $ax, 264 p. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aDefining the Classical Structure of the Art Museum: From the Louvre to MoMA -- The Problematics of Display -- The Problematic of Video Art -- Institutional Frameworks -- The Critical Discourse of Video Art.
520 $a"Throughout the mid-1970s until the early 1990s, video art as vehicles for social, cultural, and political analysis were prominent within global museum based contemporary art exhibitions. For many, video art during this period stood for contemporary art. Yet from the outset, video art's incorporation into art museums has brought about specific problems in relation to its acquisition and exhibition. This book analyses, discusses, and evaluates the problematic nature and form of video art within four major contemporary art museums--the Museum of Modern Art (MoMA) in New York, the Georges Pompidou National Centre of Art and Culture in Paris, the Tate Gallery in London, and the Art Gallery of New South Wales (AGNSW) in Sydney."--Pub. desc.
650 0 $aVideo art$vExhibitions.
650 0 $aArt$xExhibition techniques.
650 0 $aArt museums$xExhibitions.
650 0 $aArt museums$xcocial aspects.
650 0 $aArt museums$xSocial aspects.
899 $a415_565269
988 $a20100804
906 $0DLC