| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:39387402:1686 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:39387402:1686?format=raw |
LEADER: 01686cam a2200385 a 4500
001 012030772-3
005 20090806092718.0
008 081104s2009 miuab b s001 0 eng
010 $a 2008048157
015 $aGBA930253$2bnb
016 7 $a014937284$2Uk
020 $a9780472116799 (cloth : acid-free paper)
020 $a0472116797 (cloth : acid-free paper)
035 0 $aocn269282236
040 $aDLC$cDLC$dYDXCP$dUKM$dBTCTA$dC#P$dBWX$dCDX$dVVC$dIAY
043 $an-mx---
050 00 $aPN2316.T58$bY24 2009
082 00 $a792.0972/47$222
082 4 $a808.2
100 1 $aYbarra, Patricia A.,$d1972-
245 10 $aPerforming conquest :$bfive centuries of theater, history, and identity in Tlaxcala, Mexico /$cPatricia A. Ybarra.
260 $aAnn Arbor :$bUniversity of Michigan Press,$cc2009.
300 $ax, 271 p. :$bill., map ;$c24 cm.
490 1 $aTheater : theory/text/performance
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Gracias, güerito, and don't forget the bastones! -- Motolinía's site of complicity -- Playing Indian in Tlaxcala -- Producing mestizaje and its discontents -- Entries and exits into neoliberal Mexico -- Performing the exceptional historian in Saltillo, Mexico -- Conclusion: playing by the rules in contemporary Mexican politics.
650 0 $aTheater$zMexico$zTlaxcala (State)$xHistory.
650 0 $aTheater and society$zMexico.
650 0 $aPerforming arts$zMexico$xHistory.
650 0 $aMexican drama$xHistory and criticism.
650 0 $aNational characteristics, Mexican.
830 0 $aTheater--theory/text/performance.
988 $a20090707
049 $aHLSS
906 $0DLC