| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:39477469:1374 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:39477469:1374?format=raw |
LEADER: 01374cam a2200325 a 4500
001 012030874-6
005 20090908113007.0
008 090416s2009 enk b 001 0 eng
015 $aGBA938926$2bnb
016 7 $a015116429$2Uk
020 $a9780230202962 (cased)
020 $a0230202969 (cased)
035 0 $aocn319209523
040 $aUKM$cUKM$dBWKUK$dBWK$dBWX$dYDXCP
042 $aukblcatcopy
050 4 $aPN1995.9.P42$bF53 2009
082 04 $a791.4301$222
100 1 $aFlanagan, Martin.
245 10 $aBakhtin and the movies :$bnew ways of understanding Hollywood film /$cMartin Flanagan.
260 $aBasingstoke ;$aNew York :$bPalgrave Macmillan,$cc2009.
300 $axi, 239 p. ;$c23 cm.
504 $aIncludes bibliographical references (p. 217-229) and index.
504 $aIncludes filmography (p. 216).
505 0 $aDialogism and film studies : the dialogic spectator -- Chronotope I : time, space, narrative-"Get ready for rush hour" -- Chronotope II : time, space and genre in the Western film -- Polyphony : authorship and power -- Hollywood calling : cinema's technological address -- Conclusion : making it real.
600 10 $aBakhtin, M. M.$q(Mikhail Mikhaĭlovich),$d1895-1975.
650 0 $aMotion pictures$xHistory.
650 0 $aMotion pictures$xPhilosophy.
650 0 $aDialogism (Literary analysis)
988 $a20090707
906 $0OCLC