MARC Record from harvard_bibliographic_metadata

LEADER: 03746cam a2200385 a 4500
001 012563694-6
005 20101105191508.0
008 100222s2010 enka b 001 0 eng
010 $a 2010007437
015 $aGBB085844$2bnb
016 7 $a015605402$2Uk
020 $a9780195331189 (alk. paper)
020 $a0195331184 (alk. paper)
020 $a9780195331196 (alk. paper)
020 $a0195331192 (alk. paper)
035 0 $aocn505421158
040 $aDLC$cDLC$dBTCTA$dYDXCP$dUKM$dC#P$dBWX$dCDX$dYHM
043 $an-us---
050 00 $aML2075$b.H64 2010
082 00 $a781.5/420973$222
245 04 $aThe Hollywood film music reader /$cedited by Mervyn Cooke.
260 $aOxford ;$aNew York :$bOxford University Press,$c2010.
300 $aix, 382 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aMax Winkler : The origin of film music, 1951 -- T. Scott Buhrman : "Photoplays de Luxe," 1920 -- Ernö Rapée : Musical accompaniment to the feature picture, 1925 -- An interview with Gaylord Carter, Dean of theater organists, 1989 -- Leonid Sabaneev : Music for the films, 1935 -- Max Steiner : Scoring the film, 1937 -- David Raksin : Life with Charlie, 1983 -- Aaron Copland : Our new music, 1941 -- Ingolf Dahl : Notes on cartoon music, 1949 -- Scott Bradley : Personality on the soundtrack, 1947 -- Conversations with Carl Stalling, 1971 -- Dimitri Tiomkin : Please don't hate me! 1959 -- A radio interview with Franz Waxman, 1950 -- Gail Kubik : Music in documentary films, 1945 -- Adolph Deutsch on Three strangers, 1946 -- Miklós Rózsa : Quo vadis, 1951 -- André Previn : No minor chords, 1991 -- Henry Mancini : Did they mention the music? 1989 -- Bernard Herrmann : A lecture on film music, 1973 -- A conversation with Jerry Goldsmith, 1977 -- John Williams and Star wars, 1997 -- Thomas Newman on his film music, 1999 -- George Antheil : I am not a businessman, 1945 -- Igor Stravinsky on film music, 1946 -- David Raksin : Hollywood strikes back, 1948 -- Theodor Adorno and Hanns Eisler : Composing for the films, 1947 -- Frederick W. Sternfield on Hugo Friedhofer's Best years of our lives, 1947 -- Aaron Copland in the film studio, 1949 -- Lawrence Morton : Composing, orchestrating, and criticizing, 1951 -- Elmer Bernstein : Film composers vs. the studios, 1976 -- Sidney Lumet : Making movies, 1995.
520 $aA rich and informative look at the experiences of composers working under high pressure in the US film industry, The Hollywood Film Music Reader brings readers from film's earliest days to the modern blockbuster era. Beginning with the origins of movie music in the heyday of silent film, the book traces film music's progress through Hollywood's so-called Golden Age to changes in musical styles and working practices from the 1960s to the present. Also included are vivid first-hand accounts from composers such as George Antheil, Elmer Bernstein, Aaron Copland, Adolph Deutsch, Jerry Goldsmith, Bernard Herrmann, Henry Mancini, Thomas Newman, André Previn, David Raksin, Miklós Rózsa, Max Steiner, Dimitri Tiomkin, Franz Waxman, and John Williams, along with testimonies from composers working in animation and documentary film. The book concludes with a section of criticism and commentary, including an essay on film music by Sidney Lumet and Igor Stravinsky's provocative views on the subject [Publisher description].
650 0 $aMotion picture music$zUnited States$xHistory and criticism.
650 0 $aFilm composers$vInterviews.
655 7 $aCriticism, interpretation, etc.$2fast
655 7 $aInterviews.$2fast
700 1 $aCooke, Mervyn,$eedt.
700 1 $aCooke, Mervyn.
988 $a20100903
049 $aHMUU
906 $0DLC