| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:420988561:1584 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:420988561:1584?format=raw |
LEADER: 01584cam a2200373 a 4500
001 012570926-9
005 20110204191026.0
008 070910s2007 enk b 001 0 eng
010 $a 2008297049
015 $aGBA773315$2bnb
016 7 $a013889027$2Uk
020 $a9781844671632 (hbk.)
020 $a1844671631 (hbk.)
020 $a1844671674 (pbk.)
020 $a9781844671670
035 0 $aocn154706791
040 $aUKM$cUKM$dBTCTA$dYDXCP$dBAKER$dC#P$dBWK$dCDX$dOAC$dIOG$dSTF$dFDA$dGEBAY
042 $aukblcatcopy
050 4 $aN6494.C63$bR63 2007
082 04 $a709.04025$222
100 1 $aRoberts, John,$d1955-
245 14 $aThe intangibilities of form :$bskill and deskilling in art after the readymade /$cJohn Roberts.
246 30 $aSkill and deskilling in art after the readymade
260 $aLondon ;$aNew York :$bVerso,$c2007.
300 $a249 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. [229]-237) and index.
505 0 $aIntroduction : replicants and Cartesians -- The commodity, the readymade and the value-form -- Modernism, repetition and the readymade -- Deskilling, reskilling and artistic labour -- The post-Cartesian artist -- Surrogates, prosthetes and amateurs -- Situational authorship, diffuse aesthetics and network theory -- Art, immaterial labour and the critique of value -- Afterword : reproducibility and the hand.
650 07 $aConcept-art.$2swd
650 07 $aÄsthetik.$2swd
650 0 $aConceptual art.
650 0 $aAvant-garde (Aesthetics)
899 $a415_565631
988 $a20100917
906 $0OCLC