MARC Record from harvard_bibliographic_metadata

LEADER: 02712cam a2200313Ma 4500
001 012572787-9
005 20101105191635.0
008 090114s2010 enkao g 000 0 eng d
020 $a9781859642276 (hbk.)
020 $a1859642276 (hbk.)
035 0 $aocn642293532
035 $a(PromptCat)40018274297
040 $aNLE$cNLE$dTUC$dYDXCP
050 4 $aDS795.9.M87$bA53 2010
090 $aDS731.M87$bA42 2010
100 1 $aAldrich, M. A.
245 14 $aThe perfumed palace :$bIslam's journey from Mecca to Peking /$cM.A. Aldrich and Lukas Nikol.
260 $aReading :$bGarnet Publishing,$c2010.
300 $a304 p. :$bill. ;$c21 cm.
504 $aIncludes bibliographical references (p. 270-277) and index.
520 $a"The Perfumed Palace: Islam's Journey from Mecca to Peking" is a tapestry of words and pictures portraying one of the oldest and most distinctive Islamic communities in the world: the Muslims of Peking. While it is not widely known, Islam first arrived in China in the 7th century CE and rapidly became an integral part of China's social fabric. By 996 CE, Muslims had established a presence in Beijing (which we call Peking because of its classical resonance), and so began a process of blending so far-reaching that today, casual observers of northern China, whether Chinese, Muslim or Western, might be completely unaware of their existence. Loosely themed around the Five Pillars of Islam, "The Perfumed Palace" explores the life and culture of the Muslims of China's capital city who, over the centuries, have developed such a harmonious synthesis of two great civilizations. Accompanying the text are more than 100 colour photographs taken by photographer Lukas Nikol on visits to the Muslim Quarter in Peking and to the Muslim villages that dot the countryside in its outlying counties. The photographs encompass everything from daily life, festivals, markets, schools, mosque architecture and numerous other leitmotifs of the capital's Muslims. Several 1930s black-and-white photographs from the Harvard-Yenching Library add a further historical dimension to this visual depiction of Muslim Peking. The book is completed by specially commissioned reproductions of sini calligraphic scrolls, a form of Arabic calligraphy that incorporates Chinese-style brush strokes in a vertical format, like traditional Chinese writing. These breath taking combinations of Arabic and Chinese calligraphy are an art form unknown outside China."
650 0 $aMuslims$zChina$zBeijing$xHistory.
650 0 $aMinorities$zChina$xHistory.
650 0 $aIslam$zChina$xHistory.
655 7 $aHistory.$2fast
700 1 $aNikol, Lukas.
899 $a415_565655
988 $a20100921
906 $0OCLC